① 國外電影中的經典獨白
《勇敢的心》華萊士的戰前動員。 威廉華萊士：「戰斗，你可能會死；逃跑，至少能苟且偷生，年復一年，直到壽終正寢。你們！願不願意用這么多苟活的日子去換一個機會，僅有的一個機會！那就是回到戰場，告訴敵人，他們也許能奪走我們的生命，但是，他們永遠奪不走我們的自由！」
十年，它的感動仍舊歷歷在目；十年，它的芬芳依然四處飄灑。十年後，我們沒有忘記那位為自由而戰的英雄，那段凄美悲壯的史詩，那聲震撼人心的自由的呼喊。
多少個十年之後，我們仍將銘記這個關於自由與愛的不朽經典。也許只有歲月才能讓我們理解「每個人都會死，但是並非每個人都曾真正的活過。」這句話的含義。
② 經典的英文電影獨白
五十九部精典電影對白全部英漢對照
1. Frankly，my dear，I don't give a damn.坦白說，親愛的，我一點也不在乎。（《亂世佳人》1939）
2. I'm going to make him an offer he can't refuse.我會給他點好處，他無法拒絕。（《教父》1972）
3. You don't understand！Icoulda had class.I coulda been a contender.I could've been somebody，instead of a bum，which is what I am.你根本不能明白！我本可以獲得社會地位，我本可以是個競爭者，我本可以是任何有頭有臉的人而不是一個毫無價值的遊民！（《碼頭風雲》1954）
4. Toto，I've got a feeling we're not in Kansas anymore.托托，我想我們再也回不去堪薩斯了。（《綠野仙蹤》1939）
5. Here's looking at you，kid.就看你的了，孩子。（《卡薩布蘭卡》1942）
6. Go ahead，make my day.來吧，讓我也高興高興。（《撥雲見日》1983）
7. All right，Mr.DeMille，I'm ready for my close－up.好了，德米勒先生，我已經准備好拍攝我的特寫鏡頭了。（《日落大道》1950）
8. May the Force be with you.願原力與你同在。（《星球大戰》1977）
9. Fasten your seatbelts. It's going to be a bumpy night.系緊你的安全帶，這將是一個顛簸的夜晚。（《彗星美人》1950）
10. You talking to me？你是在和我說話嗎？（《計程車司機》1976）
11. I love the smell of napalm in the morning.我喜歡聞彌漫在清晨空氣中的汽油彈味道。（《現代啟示錄》1979）
12. Love means never having to say you're sorry.愛就是永遠不必說對不起。(《愛情故事》1970)
13. Made it，Ma！Top of the world！好好去做吧，站在世界之巔！（《殲匪喋血戰》1949）
14. I'm as mad as hell，and I not going to take this anymore！我瘋狂得如同地獄中的惡魔，我不會再這樣繼續下去了！（《電視台風 雲》1976）
15. Louis，I think this is the beginning of a beautiful friendship.路易斯，我認為這是一段美好友誼的開始。（《卡薩布蘭卡》1942）
16. Bond.James Bond.邦德，詹姆士邦德。(《諾博士》1962)
17. There's no place like home.沒有一個地方可以和家相提並論。（《綠野仙蹤》1939）
18. I am big！It's the pictures that got small.我是巨大的！是這些照片讓我變得渺小了。（《日落大道》1950）
19. Show me the money！讓我看到錢！（《甜心先生》1996）
20. Play it，Sam. Play'As Time Goes By'.彈這首，山姆，就彈「時光流逝」。
原文：「Of all the gin joints in all the towns in all the world，she walks in to mine.」
Humphrey Bogart，「Casablanca」
譯文：「世界上有那麼多的城鎮，城鎮中有那麼多的酒館，她卻走進了我的。」
（《卡薩布蘭卡》1942）
21. You can't handle the truth！你不能操縱事實！（《義海雄風》1992）
22. I want to be alone.我想一個人呆著。（《大飯店》1932）
23. 1.Land is the only thing in the world worth working for, worth fighting for, worth dying for. Because it』s the only thing that lasts.(土地是世界上唯一值得你去為之工作, 為之戰斗, 為之犧牲的東西,因為它是唯一永恆的東西)
2.I wish I could be more like you.(我要像你一樣就好了)
3.Whatever comes, I』ll love you, just as I do now. Until I die.(無論發生什麼事,我都會像現在一樣愛你,直到永遠)
4.I think it』s hard winning a war with words.(我認為紙上談兵沒什麼作用)
5.Sir, you』re no gentleman. And you miss are no lady.(先生,你可真不是個君子,小姐,你也不是什麼淑女)
6.I never give anything without expecting something in return. I always get paid.(我做任何事不過是為了有所回報,我總要得到報酬)
7.In spite of you and me and the whole silly world going to pieces around us, I love you.(哪怕是世界末日我都會愛著你)
8.I love you more than I』ve ever loved any woman. And I』ve waited longer for you than I』ve waited for any woman. 此句只可意會不可言傳
9.If I have to lie, steal, cheat or kill, as God as my witness, I』ll never be hungry again! (即使讓我撒謊,去偷,去騙,去殺人,上帝作證,我再也不要挨餓了)
10.Now I find myself in a world which for me is worse than death. A world in which there is no place for me.(現在我發現自己活在一個比死還要痛苦的世界,一個無我容身之處的世界)
11.You』re throwing away happiness with both hands. And reaching out for something that will never make you happy.(你把自己的幸福拱手相讓,去追求一些根本不會讓你幸福的東西)
12.Home. I』ll go home. And I』ll think of some way to get him back. After all, tomorrow is another day.(家,我要回家.我要想辦法讓他回來.不管怎樣,明天又是全新的一天)
13.After all，tomorrow is another day！畢竟，明天又是新的一天！
原文：「Frankly my dear，I don＇t give a damn.」
Clark Gable，「Gone With The Wind」
譯文：「坦白地說，我不在乎。」
演員、影片與年份：克拉克-蓋伯，《飄》，1939
24. I'll have what she's having.我會擁有她所擁有的。（《當哈里遇上薩莉》1989）
25. I'll be back.我會回來的。（《終結者》1984）
26. Today，I consider myself the luckiest man on the face of the earth.現在，我想我是這個世界上最幸運的人。（《揚基的驕傲》1942）
27. 1.Mama always said life was like a box of chocolates. You never know what you're gonna get.媽媽說生活就像一盒巧克力，你永遠都不知道你會得到什麼。
2． Stupid is as stupid does. (蠢人做蠢事，也可理解為傻人有傻福)
3． Miracles happen every day. (奇跡每天都在發生)
4． Jenny and I was like peas and carrots.(我和珍妮形影不離)
5． Have you given any thought to your future?(你有沒有為將來打算過呢)
6． You just stay away from me please.(求你離開我)
7． If you are ever in trouble, don』t try to be brave, just run, just run away.(你若遇上麻煩，不要逞強，你就跑，遠遠跑開)
8． It made me look like a ck in water.(它讓我如魚得水)
9． Death is just a part of life, something we』re all destined to do.(死亡是生命的一部分，是我們註定要做的一件事)
10． I was messed up for a long time.(這些年我一塌糊塗)
11． I don』t know if we each have a destiny, or if we』re all just floating around accidental？like on a breeze.(我不懂我們是否有著各自的命運，還是只是到處隨風飄盪)
（《阿甘正傳》1994）
28. We'll always have Paris.我們永遠都懷念巴黎（那段美好的時光）。（《卡薩布蘭卡》1942）
29. Oh，Jerry，don't let's ask for the moon.We have the stars.噢，傑瑞，不要再乞求能得到月亮了，我們已經擁有星星了。（《揚帆》1942）
30. Well，nobody's perfect.人無完人。（《熱情似火》1959）
31. You've got to ask yourself one question："Do I feel lucky?" Well，do ya，punk？你應該問你自己一個問題：「我是幸運的嗎？」快點去做，年輕人，無知的年輕人。（《警探哈里》1971）
32. You had me at″hello.″當你說「你好」的那一刻起就擁有我了。（《甜心先生》1996）
33. There's no crying in baseball！在棒球運動中沒有哭泣！（《紅粉聯盟》1992）
34. A boy's best friend is his mother.一個男孩最好的朋友是他的母親。（《驚魂記》1960）
35. Greed，for lack of a better word，is good.沒有比「貪婪」更好的詞語了。（《華爾街》1987）
36. Keep your friends close，but your enemies closer.親近你的朋友，但更要親近你的敵人。（《教父II》1974）
37. As God is my witness，I'll never be hungry again.上帝為我作證，我不會再讓自己挨餓了。（《亂世佳人》1939）
38. Mrs.Robinson，you're trying to seceme.Aren't you？羅賓遜太太，你是在引誘我，對嗎？（《畢業生》1967）
39. Of all the gin joints in all the towns in all the world，she walks into mine.世界上有那麼多的城鎮，城鎮中有那麼多的酒館，她卻走進了我的（酒館）。（《卡薩布蘭卡》1942）
40. Wait a minute，wait a minute.You ain't heard nothin'yet！等一會兒，等一會兒。你肯定聽到了什麼！（《爵士歌手》1927）
41. I have always depended on the kindness of strangers.我總是非常依賴陌生人的仁慈。（《慾望號街車》1951）
42. Listen to them. Children of the night. What music they make.快點來聽！黑夜中孩子的聲音是他們締造的美妙音樂。（《吸血鬼》1931）
43. I feel the need－the need for speed！我感到一種需要，一種加速的需要！（《壯志凌雲》1986）
44. Carpe diem. Seize the day，boys. Make your lives extraordinary.人生就應該是快樂的，要抓住每一天，孩子們。讓你們的生活變得非凡起來。（《死亡詩社》1989）
③ 有哪些著名的美國電影獨白片段
《肖申克的救贖》You know some birds are not meant to be caged, their feathers are just too bright.你知道，有些鳥兒是註定不會被關在牢籠里的，它們的每一片羽毛都閃耀著自由的光輝。There is something inside ,that they can't get to , that they can't touch. That's yours.那是一種內在的東西, 他們到達不了,也無法觸及的,那是你的。
④ 求外國電影的感人獨白(比如到墓地祈禱,表白) 長約5-10分鍾
推薦美劇《犯罪心理》，幾乎每一集開頭和結尾都是引用古代哲學家的一句經典語句概括本集中心思想的。同理還有《兄弟連》（但不是古語）。
強烈推薦《完美風暴》，我查了一下，從1小時55分鍾開始一直到結束，全是你所要求的那種yy式獨白了，包括臨死前對戀人說的，死後追悼的，長達十幾分鍾！
《阿甘正傳》中也有很多處，但是個人認為這部片子不論是學英語還是搞精神建設，都已經被引用的太濫了……
《肖申克的救贖》，不是很推薦，因為雖然從頭到尾都穿插敘事性的旁白，但是每一段都不是很長。
建議多找找04年以前的片子，個人感覺從04年以後拍的片子中已經很難找到那種大段的抒情式獨白了。再者，目前拍得感人的美國電影幾乎已經摒棄了大段冗長的獨白了（紀錄片除外），但凡拍的深刻的全靠情節出彩，例如《撞車》、《七磅》、《我是傳奇》等等
⑤ 歐美經典電影大段獨白
教父
[delivering his rehearsed speech]
Luca Brasi : Don Corleone, I am honored and grateful that you have invited me to your daughter... 's wedding... on the day of your daughter's wedding. And I hope their first child be a masculine child. I pledge my ever-ending loyalty.
[after Michael gets off the phone with Kay, clearly too embarrassed to tell her "I love you too."]
Clemenza : Mikey, why don't you tell that nice girl you love her? "I love you with all-a my heart, if I don't see-a you again soon, I'm-a gonna die..."
Sonny : Goddamn FBI don't respect nothin'.
Fabrizio : In Sicily, women are more dangerous than shotguns.
Sonny : I want someone good, I mean very good, to plant that gun. I don't want my brother coming out of the bathroom with just his dick in his hands.
Michael : My father is no different than any powerful man, any man with power, like a president or senator.
Kay Adams : Do you know how naive you sound, Michael? Presidents and senators don't have men killed.
Michael : Oh. Who's being naive, Kay?
Jack Woltz : Johnny Fontane never gets that movie. That part is perfect for him, it'll make him a big star, and I'm gonna run him out of the business - and let me tell you why: Johnny Fontane ruined one of Woltz International's most valuable proteges. For five years we had her under training - singing lessons, acting lessons, dancing lessons. I spent hundreds of thousands of dollars on her, I was gonna make her a big star. And let me be even more frank, just to show you that I'm not a hard-hearted man, and that it's not all dollars and cents: She was beautiful; she was young; she was innocent. She was the greatest piece of ass I've ever had, and I've had 'em all over the world. And then Johnny Fontane comes along with his olive oil voice and guinea charm, and she runs off. She threw it all away just to make me look ridiculous! And a man in my position can't afford to be made to look ridiculous!
Jack Woltz : Now you listen to me, you smooth talking son-of-a-bitch. Let me lay it on the line for you and your boss, whoever he is. Johnny Fontane will never get that movie. I don't care how many dago guinea wop greaseball goombahs come out of the woodwork.
[first lines]
Bonasera : I believe in America. America has made my fortune.
Michael : That's my family, Kay. It's not me.
Don Corleone : Do you spend time with your family? Good. Because a man that doesn't spend time with his family can never be a real man.
Tom Hagen : Now we have the unions, we have the gambling; and they're the best things to have. But narcotics is a thing of the future. And if we don't get a piece of that action, we risk everything we have. I mean not now, but, ah, ten years from now.
[Luca Brasi's bulletproof vest is delivered, wrapped around a fish]
Clemenza : It's a Sicilian message. It means Luca Brasi sleeps with the fishes.
Tessio : Can you get me off the hook, Tom? For old times' sake?
Tom Hagen : Can't do it, Sally.
Don Corleone : Tattaglia's a pimp. He never could've out-fought Santino. But I didn't know until this day that it was Barzini all along.
Don Corleone : I spent my whole life trying not to be careless. Women and children can be careless. But not men.
Tom Hagen : You know how they're going to come at you?
Michael : They want to arrange a meeting between me and Barzini. On Tessio's ground. Where I'll be safe.
Don Corleone : You talk about vengeance. Is vengeance going to bring your son back to you? Or my boy to me?
Don Corleone : I never thought you were a bad consiglieri, Tom. I thought Santino was a bad don, rest in peace.
Don Corleone : What have I ever done to make you treat me so disrespectfully? If you'd come to me in friendship, then this scum that ruined your daughter would be suffering this very day. And if by chance an honest man like yourself should make enemies, then they would become my enemies. And then they would fear you.
Don Corleone : I like to drink wine more than I used to.
Michael : It's good for ya, Pop.
Don Corleone : Anyway I'm drinkin' more.
Tom Hagen : Mr. Corleone never asks a second favor once he's refused the first, understood?
[after being asked how he will arrange to buy a hotel from Moe Greene]
Michael : I'll make him an offer he can't refuse.
[speaking with the father of the girl he plans to marry, and after telling him that he's in hiding from some gangsters]
Michael : Some people will pay a lot of money for that information; but then your daughter would lose a father, instead of gaining a husband.
Michael : Fredo, you're my older brother and I love you, but don't ever take sides with anyone against the family again. Ever.
Sonny : Hey, whataya gonna do, nice college boy, eh? Didn't want to get mixed up in the Family business, huh? Now you wanna gun down a police captain. Why? Because he slapped ya in the face a little bit? Hah? What do you think this is the Army, where you shoot 'em a mile away? You've gotta get up close like this and bada-bing. you blow their brains all over your nice Ivy League suit. C'mere...
[kisses Michael's head]
Michael : Sonny...
Sonny : You're taking this very personal. Tom, this is business and this man is taking it very personal.
Michael : It's not personal, Sonny. It's strictly business.
Moe Greene : Do you know who I am? I'm Moe Greene. I made my bones while you were going out with cheerleaders.
Sollozzo : I'm a businessman, Tom. I don't like violence; blood is a big expense.
Michael : My father made him an offer he couldn't refuse.
Kay Adams : What was that?
Michael : Luca Brasi, held a gun to his head, and my father assured him, that either his brain or his signature would be on the contract.
Michael : Ah, get me Long Beach 4-5620. please
Don Corleone : Someday - and that day may never come - I'll call upon you to do a service for me. But until that day, accept this justice as gift on my daughter's wedding day.
Sonny : We don't discuss business at the table.
Don Corleone : I never wanted this for you. I work my whole life - I don't apologize - to take care of my family, and I refused to be a fool, dancing on the string held by all those bigshots. I don't apologize - that's my life - but I thought that, that when it was your time, that you would be the one to hold the string. Senator Corleone; Governor Corleone. Well, it wasn't enough time, Michael. It wasn't enough time.
Michael : We'll get there, pop. We'll get there.
[after Sonny beats up Carlo Rizzi for hitting Connie]
Sonny : You touch my sister again, I'll kill you.
Don Corleone : You could act like a man.
[slaps Johnny Fontane]
Don Corleone : What's the matter with you? Is this what you've become, some Hollywood finnochio that cries like a woman?
[mockingly imitates Johnny]
Don Corleone : Oh, Godfather, what am I gonna do? What am I gonna do?
Don Corleone : I'm a superstitious man, and if some unlucky accident should befall Michael - if he is to be shot in the head by a police officer, or be found hung dead in a jail cell... or if he should be struck by a bolt of lightning - then I'm going to blame some of the people in this room; and then I do not forgive. But with said, I pledge - on the souls of my grandchildren - that I will not be the one to break the peace that we have made today.
Michael : Don't ask me about my business, Kay.
[to his associate, who has killed Paulie in the car]
Clemenza : Leave the gun.
[pause]
Clemenza : Take the cannolis.
Clemenza : You know any goodest spots on the west side?
Paulie Gatto : Yeah, I think about it.
Clemenza : Well think about it while you're driving, I wanna hit New York sometime this month.
Capt. McCluskey : Is the Italian food good here?
Sollozzo : Yeah, try the veal; it's the best in the city.
Kansas City Don: [talking about opposition to drug dealing] I, too, don't believe in drugs. For years I paid my people extra to stay away from that sort of stuff, but someone comes along saying, "I've got powders where if you put up a three to four thousand dollar investment, you can make fifty thousand distributing," then there is no way to resist it. I want to keep it respectable. I DON'T WANT IT NEAR SCHOOLS, I DON'T WANT IT SOLD TO CHILDREN! In my city, we'd keep the traffic in the Dark People, the Coloreds - they're animals anyway; so let them lose their souls.
Clemenza : All right, you just shot 'em both. Now what do you do?
Michael : Sit down and finish my dinner.
Sonny : How's Paulie?
Clemenza : Oh, Paulie... won't see him no more.
Connie : Dinner's on the table.
Carlo Rizzi : I'm not hungry yet.
Connie : Your food is on the table. It's getting cold.
Carlo Rizzi : I'll eat out later.
Connie : You just told me to make you dinner!
Carlo Rizzi : Hey, vaffanculo, eh?
Connie : I'll vaffanculo you!
Don Corleone : [seeing Sonny in the mortuary] Look how they massacred my boy.
Don Corleone : Never let anyone outside the family know what you're thinking.
卡薩布蘭卡/北非諜影 Casablanca
Annina: And he never knew, and the girl kept this bad thing locked in her heart? That would be all right, wouldn't it?
Annina: Monsieur Rick, what kind of a man is Captain Renault?
Annina: Oh, monsieur, you are a man. If somone loved you very much, so that your happiness was the only thing that she wanted in the world, but she did a bad thing to make certain of it, could you forgive her?
Annina: Oh, yes, please.
Banker: Perhaps if you told him I ran the second largest banking house in Amsterdam.
Banker: We have something to look forward to.
Banker: What? Do you know who I am?
Berger: We read five times that you were killed, in five different places.
Captain Renault: Carl, see that Major Strasser gets a good table, one close to the ladies.
Captain Renault: Everybody out at once!
Captain Renault: Excuse me.
Captain Renault: He is traveling with a lady.
Captain Renault: Hmmh! Diplomatist!
Captain Renault: How extravagant you are, throwing away women like that. Some day they may be scarce.
Captain Renault: I think not. I have seen the lady.
Captain Renault: I was informed you were the most beautiful woman ever to visit Casablanca. That was gross understatement.
Captain Renault: I'll be there at ten.
Captain Renault: I'm afraid Major Strasser would insist.
Captain Renault: I'm just writing the report now. We haven't quite decided whether he committed suicide or died trying to escape.
Captain Renault: I'm shocked, shocked to find that gambling is going on in here!
Captain Renault: I've often speculated why you don't return to America. Did you abscond with the church funds? Run off with a senator's wife? I like to think you killed a man. It's the Romantic in me.
Captain Renault: If he ever gets a word in, it'll be a major Italian victory.
Captain Renault: In 1935, you ran guns to Ethiopia. In 1936, you fought in Spain, on the Loyalist side.
Captain Renault: Is that a serious offer?
Captain Renault: Major Strasser has been shot. Round up the usual suspects.
Captain Renault: Make it ten. I'm only a poor corrupt official.
Captain Renault: Mamoiselle, you are in Rick's! And Rick is...
Captain Renault: My dear Ricky, you overestimate the influence of the Gestapo. I don't interfere with them and they don't interfere with me. In Casablanca I am master of my fate! I am...
Captain Renault: No matter how clever he is, he still needs an exit visa... or I should say two?
Captain Renault: Oh no! Not here please! Come to my office tomorrow morning. We'll do everything businesslike.
Captain Renault: Oh no, Emil, please. A bottle of your best champagne, and put it on my bill.
Captain Renault: Oh, please, monsieur. It is a little game we play. They put it on the bill, I tear up the bill. It is very convenient.
Captain Renault: Realizing the importance of the case, my men are rounding up twice the usual number of suspects.
Captain Renault: Rick, there are many exit visas sold in this café, but we know that you've never sold one. That is the reason we permit you to remain open.
Captain Renault: That is another reason.
Captain Renault: That makes Rick a citizen of the world.
Captain Renault: The waters? What waters? We're in the desert.
Captain Renault: The winning side would have paid you much better.
Captain Renault: This is the end of the chase.
Captain Renault: We are very honored tonight, Rick. Major Strasser is one of the reasons the Third Reich enjoys the reputation it has today.
Captain Renault: We musn't underestimate American blundering. I was with them when they blundered into Berlin in 1918.
Captain Renault: Well, personally, Major, I will take what comes.
Captain Renault: Well, Rick is the kind of man that... well, if I were a woman, and I were not around, I should be in love with Rick. But what a fool I am talking to a beautiful woman about another man.
Captain Renault: What in heaven's name brought you to Casablanca?
Captain Renault: [sotto voce] Oh, thank you very much.
Carl: Hm. You will get along beautiful in America, mm-hmm.
Carl: Honest? As honest as the day is long!
Carl: I have already given him the best, knowing he is German and would take it anyway.
Carl: Oh, thank you very much. I thought you would ask me, so I brought the good brandy. And - a third glass!
Carl: Second largest? That wouldn't impress Rick. The leading banker in Amsterdam is now the pastry chef in our kitchen.
Carl: To America!
Carl: Very nice idea, mm-hmm.
Croupier: Your winnings, sir.
Customer: Are you sure this place is honest?
Emil: Very well, sir.
Heinz: Can you imagine us in London?
Ilsa: A franc for your thoughts.
Ilsa: But what about us?
Ilsa: But, Richard, no, I... I...
Ilsa: How nice, you remembered. But of course, that was the day the Germans marched into Paris.
Ilsa: I didn't count the days.
Ilsa: I wasn't sure you were the same. Let's see, the last time we met...
Ilsa: I wish I didn't love you so much.
Ilsa: I'll hum it for you. Da-dy-da-dy-da-m, da-dy-da-dee-da-m...
Ilsa: Kiss me. Kiss me as if it were the last time.
Ilsa: No.
Ilsa: Play it once, Sam. For old times' sake.
Ilsa: Play it, Sam. Play "As Time Goes By."
Ilsa: Sing it, Sam.
Ilsa: Thank you for the coffee, monsieur. I shall miss that when I leave Casablanca.
Ilsa: That's easy: there was. And he's dead.
Ilsa: Well, I'm willing to be overcharged. Tell me.
Ilsa: When I said I would never leave you.
Ilsa: Who is he?
Ilsa: Who is Rick?
Ilsa: Why there is no other man in my life?
Ilsa: Yes?
Ilsa: You're saying this only to make me go.
Jan Brandel: Captain Renault... may I?
Jan Brandel: We'll be there at six!
Major Heinrich Strasser: You repeat *Third* Reich as though you expected there to be others!
Major Strasser: Are you one of those people who cannot imagine the Germans in their beloved Paris?
Major Strasser: How about New York?
Major Strasser: What is your nationality?
Major Strasser: You give him credit for too much cleverness. My impression was that he's just another blundering American.
Mr. Leuchtag: Come sit down. Have a brandy with us.
Mr. Leuchtag: Liebchen - sweetnessheart, what watch?
Mr. Leuchtag: Mareichtag and I are speaking nothing but English now.
Mr. Leuchtag: Such much?
Mr. Leuchtag: [toasting] To America!
Mrs. Leuchtag: At last the day is came!
Mrs. Leuchtag: So we should feel at home when we get to America.
Mrs. Leuchtag: Ten watch.
Mrs. Leuchtag: To America!
Mrs. Leuchtag: To celebrate our leaving for America tomorrow.
Police Officer: Major Strasser is here, sir!
Rick: And remember, this gun is pointed right at your heart.
Rick: And you never will. But I've got a job to do, too. Where I'm going, you can't follow. What I've got to do, you can't be any part of. Ilsa, I'm no good at being noble, but it doesn't take much to see that the problems of three little people don't amount to a hill of beans in this crazy world. Someday you'll understand that. Now, now... Here's looking at you kid.
Rick: Don't you sometimes wonder if it's worth all this? I mean what you're fighting for.
Rick: Either lay off politics, or get out.
Rick: Go back to Bulgaria.
Rick: He'll take one.
Rick: Here's looking at you, kid.
Rick: How can you close me up? On what grounds?
Rick: How long was it we had, honey?
Rick: I congratulate you.
Rick: I do. You're lucky the bar's open to you.
Rick: I don't like disturbances in my place.
Rick: I don't mind a parasite. I object to a cut-rate one.
Rick: I got well paid for it on both occasions.
Rick: I just paid out twenty. I'd like to get it back.
Rick: I never make plans that far ahead.
Rick: I remember every detail. The Germans wore gray, you wore blue.
Rick: I stick my neck out for nobody.
Rick: I was misinformed.
Rick: I'm a drunkard.
Rick: I'm saying it because it's true. Inside of us, we both know you belong with Victor. You're part of his work, the thing that keeps him going. If that plane leaves the ground and you're not with him, you'll regret it. Maybe not today. Maybe not tomorrow, but soon and for the rest of your life.
Rick: If I gave you any thought I probably would.
Rick: If she can stand it, I can! Play it!
Rick: In America they'd bring only a penny, and, huh, I guess that's about all they're worth.
Rick: It was a combination of all three.
Rick: It's not particularly my beloved Paris.
Rick: Last night we said a great many things. You said I was to do the thinking for both of us. Well, I've done a lot of it since then, and it all adds up to one thing: you're getting on that plane with Victor where you belong.
Rick: Louis, I think this is the beginning of a beautiful friendship.
Rick: My health. I came to Casablanca for the waters.
Rick: No!
Rick: No.
Rick: Nobody ever loved me that much.
Rick: Not an easy day to forget?
Rick: Not right now.
Rick: Now, you've got to listen to me! You have any idea what you'd have to look forward to if you stayed here? Nine chances out of ten, we'd both wind up in a concentration camp. Isn't that true, Louie?
Rick: Of all the gin joints in all the towns in all the world, she walks into mine.
Rick: Oh, he's just like any other man, only more so.
Rick: Oh, what makes you think I haven't?
Rick: Oh? I thought it was because I let you win at roulette.
Rick: Sascha, she's had enough.
Rick: Tell me, who was it you left me for? Was it Laszlo, or were there others in between? Or - aren't you the kind that tells?
Rick: That's so long ago, I don't remember.
Rick: They got a lucky break. Yesterday they were just two German clerks. Today they're the "Honored Dead".
Rick: Twenty thousand francs says it isn't.
Rick: Uh-huh.
Rick: Was La Belle Aurora.
Rick: We all try. You succeed.
Rick: We'll always have Paris. We didn't have, we, we lost it until you came to Casablanca. We got it back last night.
Rick: Well there are certain sections of New York, Major, that I wouldn't advise you to try to invade.
Rick: Well, I did. Every one of them. Mostly, I remember the last one, the wild finish. A guy standing on a station platform in the rain, with a comical look on his face, because his insides have been kicked out.
Rick: Well, I was wondering...
Rick: Well, what of it? It'll be out of its misery.
Rick: When you get there, ask me!
Rick: Who are you really, and what were you before? What did you do, and what did you think, huh?
Rick: Who did you bribe for your visa? Renault or yourself?
Rick: Why I'm so lucky. Why I should find you waiting for me to come along.
Rick: Why two?
Rick: You know what I want to hear.
Rick: You love her that much?
Rick: You played it for her, you can play it for me!
Rick: You thought what?
Rick: You want my advice?
Rick: You were saying?
Rick: You'll excuse me, gentlemen. Your business is politics,
⑥ 英文電影經典對白（三分鍾左右）
簡：您為什麼對我講這些？您和她 (英格拉姆小姐)跟我有什麼關系？您 以為我窮，不好看，就沒有感情嗎？ 告訴你吧，如果上帝賜予我財富和美 貌，我會讓您難以離開我，就想我現 在難以離開您。可上帝沒有這樣做， 但我的靈魂能夠同您的靈魂說話，仿 佛我們都經過 墳墓，平等地站在上 帝面前。 Why do you confide in me like this? What are you and she to me? You think that because I'm poor and plain, Ihave no feelings? I promise you, if God had gifted me with wealth and beauty, I would make it as hard for you to leave me now as it is for me to leave you. But He did not. But my spirit can address yours, as if both have passed through the grave and stood before heaven equal. 簡：讓 我走，先生。Let me go, sir. 羅切斯 特：我愛你。我愛你！I love you. I love you! 簡：別，別讓我干傻事。 No, don't make me foolish. 羅切斯 特：傻事？我需要你，布蘭奇(英格 拉姆小姐)有什麼？我知道我對她意 味著什麼，是使她父親的土地變得肥 沃的金錢。嫁給我，簡 。說你嫁給 我。 Foolish? I need you. What's Blanch to me? I know what I am to her. Money to manure her father's land with. Marry me, Jane. Say you marry me. 簡：你是說真的？You mean it? 羅切斯特：你的懷疑折磨著 我，答應吧，答應吧。(他把她摟在 懷里，吻她。)上帝饒恕我，別讓任 何人干涉我，她是我的，是我的。 You torture me with your doubts.Say yes,say yes(He takes hersintoshis arm and kisser her.)God forgive me.And let no men meddle with me.She is mine.Mine. 簡發現羅切斯特先生有個精神失常的 妻子之後。After Jane finds out Mr. Rochester has an insane wife. 羅切 斯特：總算出來了。你把自己關在房 間里一個人傷心。一句責難的話也沒 有。什麼都沒有。這就是對我的懲 罰？我不是有心要這樣傷你，你相信 嗎？我無論如何也不會傷害你，我怎 么辦？都對你說了我就會失去你，那 我還不如去死。 So come out at last.You shut yourself in your room and grieve alone. Not one word of reproach.Nothing.Is that to be my punishment? I didn't mean to wound you like this. Do you believe that?I wouldn't hurt you not for the world.What was I to do? Confess everything I might as well have lost my life. 簡：你已經失去我了，愛德 華。我也失去了您。You have lost me, Edward.And I've lost you. 羅切 斯特：為什麼跟我說這些？繼續懲罰 我嗎？簡，我已經受夠了！我生平第 一次找到我真正的愛，你不要把她拿 走。 Why did you say that to me? To punish me a little longer? Jane, I've been though! For the first time I have found what I can truly love. Don't take if away from me. 簡：我 必須離開您。I must leave you.
⑦ 求簡單的英語電影獨白片段
《海上鋼琴師》
「陸上的人喜歡尋根問底，虛度了大好光陰。冬天憂慮夏天的姍姍來遲，夏天則擔心冬天的將至。所以他們不停四處遊走，追求一個遙不可及、四季如夏的地方—我並不羨慕。」
Why why why why why... I think land people waste a lot of time wondering why. Winter comes they can't wait for summer; summer comes they're living dread of winter. That's why you're never tired of travelling, with chasing some place far away, where there's always summer. That doesn't sound like a good bet to me.
「我是在這艘船上出生的，整個世界跟我並肩而行，但是，行走一次只攜帶兩千人。這里也有慾望，但不會虛妄到超出船頭和船尾。你用鋼琴表達你的快樂，但音符不是無限的。我已經習慣這么生活。」
「I was born on this ship, and the world passed me by, but two thousand people at a time. And there were wishes here,but never more than fit between prow and stern. You played out your happiness, but on a piano that was not infinite. I learned to live that way.
「你把我推到舷梯上然後扔給我一架有百萬琴鍵的鋼琴，百萬千萬的沒有盡頭的琴鍵，那是事實，max，它們沒有盡頭。那鍵盤是無限延伸的。然而如果琴鍵是無限的，那麼在那架琴上就沒有你能彈奏的音樂，你坐錯了地方，那是上帝的鋼琴。」
「You get me up on that gangway and you're rolling out in front of me a keyboard of millions of keys, millions and billions of keys that never end, and that's the truth, Max. That they never end. That keyboard is infinite. And if that keyboard is infinite, then on that keyboard there is no music you can play. You're sitting on the wrong bench. That's God's piano. 」
⑧ 英文電影的經典電影獨白
to be or not to be,這是《哈姆雷特》（莎士比亞）的經典台詞． To be, or not to be- that is the question 漢文意思是：生存還是死去，這是一個問題． 此段的全文如下： Hamlet:To be, or not to be- that is the question: Whether it's nobler in the mind to suffer The slings and arrows of outrageous fortune Or to take arms against a sea of troubles, And by opposing end them. To die- to sleep- No more; and by a sleep to say we end The heartache, and the thousand natural shocks That flesh is heir to. 'Tis a consummation Devoutly to be wish'd. To die- to sleep. To sleep- perchance to dream: ay, there's the rub! For in that sleep of death what dreams may come When we have shuffled off this mortal coil, Must give us pause. There's the respect That makes calamity of so long life. For who would bear the whips and scorns of time, Th' oppressor's wrong, the proud man's contumely, The pangs of despis'd love, the law's delay, The insolence of office, and the spurns That patient merit of th' unworthy takes, When he himself might his quietus make With a bare bodkin? Who would these fardels bear, To grunt and sweat under a weary life, But that the dread of something after death- The undiscover'd country, from whose bourn No traveller returns- puzzles the will, And makes us rather bear those ills we have Than fly to others that we know not of? Thus conscience does make cowards of us all, And thus the native hue of resolution Is sicklied o'er with the pale cast of thought, And enterprises of great pith and moment With this regard their currents turn awry And lose the name of action. 哈: {自言自語} 生存或死去, 這是個問題: 是否應默默的忍受坎坷命運之無情打擊, 還是應與深如大海之無涯苦難奮然為敵, 並將其克服。 此二抉擇, 究竟是哪個較崇高? 死即睡眠, 它不過如此! 倘若一眠能了結心靈之苦楚與肉體之百患, 那麼, 此結局是可盼的! 死去, 睡去... 但在睡眠中可能有夢, 啊, 這就是個阻礙: 當我們擺脫了此垂死之皮囊, 在死之長眠中會有何夢來臨? 它令我們躊躇, 使我們心甘情願的承受長年之災, 否則誰肯容忍人間之百般折磨, 如暴君之政、驕者之傲、失戀之痛、法章之慢、貪官之侮、或庸民之辱, 假如他能簡單的一刀了之? 還有誰會肯去做牛做馬, 終生疲於操勞, 默默的忍受其苦其難, 而不遠走高飛, 飄於渺茫之境, 倘若他不是因恐懼身後之事而使他猶豫不前? 此境乃無人知曉之邦, 自古無返者。---哈姆雷特經典台詞(中英文）
⑨ 一段經典的英文電影獨白
電影返老還童又名本傑明巴頓奇事
Benjamin Button: Sometimes we're on a collision course, and we just don't know it. Whether it's by accident or by design, there's not a thing we can do about it. A woman in Paris was on her way to go shopping, but she had forgotten her coat - went back to get it. When she had gotten her coat, the phone had rung, so she'd stopped to answer it; talked for a couple of minutes. While the woman was on the phone, Daisy was rehearsing for a performance at the Paris Opera House. And while she was rehearsing, the woman, off the phone now, had gone outside to get a taxi. Now a taxi driver had dropped off a fare earlier and had stopped to get a cup of coffee. And all the while, Daisy was rehearsing. And this cab driver, who dropped off the earlier fare; who'd stopped to get the cup of coffee, had picked up the lady who was going to shopping, and had missed getting an earlier cab. The taxi had to stop for a man crossing the street, who had left for work five minutes later than he normally did, because he forgot to set off his alarm. While that man, late for work, was crossing the street, Daisy had finished rehearsing, and was taking a shower. And while Daisy was showering, the taxi was waiting outside a boutique for the woman to pick up a package, which hadn't been wrapped yet, because the girl who was supposed to wrap it had broken up with her boyfriend the night before, and forgot. When the package was wrapped, the woman, who was back in the cab, was blocked by a delivery truck, all the while Daisy was getting dressed. The delivery truck pulled away and the taxi was able to move, while Daisy, the last to be dressed, waited for one of her friends, who had broken a shoelace. While the taxi was stopped, waiting for a traffic light, Daisy and her friend came out the back of the theater.
本傑明·巴頓：有些時候我們就活在即將發生沖撞的軌道上，渾然不知。無論它是意外發生的還是蓄謀已久的，對此我們都無能為力。一個住在巴黎的女人正在去購物的路上，但是她忘記拿她的大衣，便回去取了。當她去拿衣服時，電話鈴響了，所以她停下來去接電話，並聊了幾分鍾。就在那個女人打電話的時候，黛西就在為巴黎大劇院的演出而排練。就在她排練時，那個女人打完了電話，離開了屋子去叫一輛計程車（但錯過了一班）。現在一個計程車司機由於這班工作完的比較早，便停下來去喝杯咖啡，與此同時黛西還在排練。這個提前完成了這趟工作喝了杯咖啡的計程車司機，接了那個錯過一班計程車的去購物的女人。計程車被迫因為一個橫穿道路的人急停了一下，因為一個男人比原來上班的時間晚起了五分鍾，由於他忘記了上好鬧鍾。而就在那個晚起的，忘記上鬧鍾的男人過馬路時，黛西也完成了排練，正在沖澡。而就在黛西洗澡的時候，那個計程車司機在精品店外，等那個女人去拿她的商品。那個商品還沒有被服務員提前包裝好，因為昨天晚上那個服務員剛剛和男朋友分手，把這件事情忘的一干二凈。當商品被包好後，那個女人回到車上，車租車又被一輛運貨車擋了一下，此時此刻黛西也梳妝完畢。在運貨車離開後，計程車終於可以行駛了。當黛西最後一個打扮完後，便等待她其中一個鞋帶斷了的朋友。就在計程車停著等候紅綠燈時，黛西和她朋友從劇院出來了。
Benjamin Button: And if only one thing had happened differently: if that shoelace hadn't broken; or that delivery truck had moved moments earlier; or that package had been wrapped and ready, because the girl hadn't broken up with her boyfriend; or that man had set his alarm and got up five minutes earlier; or that taxi driver hadn't stopped for a cup of coffee; or that woman had remembered her coat, and got into an earlier cab, Daisy and her friend would've crossed the street, and the taxi would've driven by. But life being what it is - a series of intersecting lives and incidents, out of anyone's control - that taxi did not go by, and that driver was momentarily distracted, and that taxi hit Daisy, and her leg was crushed.
本傑明·巴頓：如果只有那麼一件事情，並沒有按原來發生的話，如果那個鞋帶沒有斷掉；或者如果那輛貨車提前幾分鍾開走；如果那個商品早早就被包裝好，因為她沒有和他的男朋友分手；如果那個男人的鬧鍾提前上了五分鍾；如果那個司機沒有停下來去喝杯咖啡；如果那個女人沒有忘記她的大衣，而坐上了早一班的計程車，黛西和她的朋友就將穿過馬路，計程車也只會擦肩而過。但是生活就是這么不可預測，在一系列的交錯層疊的人與事中，沒有誰能掌控它們，而計程車沒有碰巧開過去，那個司機也有些精力不集中，那個計程車還是撞到了黛西，她的腿被撞傷了。
希望能幫到你哦~~
⑩ 一兩分鍾的簡單電影獨白（英文）
《海上鋼琴師》 經典獨白作者：艾略特（Thomas Stearns Eliot）
國籍：英國 This is the way the world ends
Not with a bang but a whimper
——T·S·Eliot
All that city. You just couldn't see the end to it. The end? Please? You please just show me where it ends? It was all very fine on that gangway. And I was grand too, in my overcoat. I cut quite a figure. And I was getting off. Guaranteed. There was no problem. It wasn't what I saw that stopped me, Max. It was what I didn't see. You understand that? What I didn't see. In all that sprawling city there was everything except an end. There was no end. What I did not see was where the whole thing came to an end. The end of the world...
Take a piano. The keys begin, the keys end. You know there are eightyeight of them, nobody can tell you any different. They are not infinite. You are infinite. And on these keys the music that you can make is infinite. I like that. That I can live by.
You get me up on that gangway and you're rolling out in front of me a keyboard of millions of keys, millions and billions of keys that never end, and that's the truth, Max. That they never end. That keyboard is infinite. And if that keyboard is infinite, then on that keyboard there is no music you can play. You're sitting on the wrong bench. That's God's piano.
Christ! Did, did you see the streets? Just the streets… There were thousands of them! And how do you do it down there? How do you choose just one? One woman, one house, one piece of land to call your own, one landscape to look at, one way to die...
All that world is weighing down on me, you don't even know where it comes to an end, and aren't you ever just scared of breaking apart at the thought of it? The enormity of living it?
I was born on this ship, and the world passed me by, but two thousand people at a time. And there were wishes here, but never more than fit between prow and stern. You played out your happiness, but on a piano that was not infinite. I learned to live that way.
Land? Land is a ship too big for me. It's a woman too beautiful; it's a voyage too long, a perfume too strong. It's a music I don't know how to make. I could never get off this ship. At best, I can step off my life. After all, I don't exist for anyone. You're an exception, Max, you're the only one who knows I'm here. You're a minority, and you better get used to it. Forgive me, my friend, but I'm not getting off.
艾略特
譯文：
所有那些城市，你就是無法看見盡頭。盡頭？拜託！拜託你給我看它的盡頭在哪？當時，站在舷梯向外看還好。我那時穿著大衣，感覺也很棒，覺得自己前途無量，然後我就要下船去。放心！完全沒問題！可是，阻止了我的腳步的，並不是我所看見的東西，而是我所無法看見的那些東西。你明白么？我看不見的那些。在那個無限蔓延的城市裡，什麼東西都有，可惟獨沒有盡頭。根本就沒有盡頭。我看不見的是這一切的盡頭，世界的盡頭。
拿一部鋼琴來說，從琴鍵開始，又結束。你知道鋼琴只有88個鍵，隨便什麼琴都沒差。它們不是無限的。你才是無限的，在琴鍵上製作出的音樂是無限的。我喜歡這樣，我活的慣。
你把我推到舷梯上然後扔給我一架有百萬琴鍵的鋼琴，百萬千萬的沒有盡頭的琴鍵，那是事實，max，它們沒有盡頭。那鍵盤是無限延伸的。然而如果琴鍵是無限的，那麼在那架琴上就沒有你能彈奏的音樂，你坐錯了地方，那是上帝的鋼琴。
天啊！你……你看過那些街道嗎？僅僅是街道，就有上千條！你下去該怎麼辦？你怎麼選擇其中一條來走？怎麼選擇「屬於你自己的」一個女人，一棟房子，一塊地，或者選擇一道風景欣賞，選擇一種方法死去。
那個世界好重，壓在我身上。你甚至不知道它在哪裡結束，你難道從來不為自己生活在無窮選擇里而害怕得快崩潰掉嗎？
我是在這艘船上出生的，整個世界跟我並肩而行，但是，行走一次只攜帶兩千人。這里也有慾望，但不會虛妄到超出船頭和船尾。你用鋼琴表達你的快樂，但音符不是無限的。我已經習慣這么生活。
陸地？陸地對我來說是一艘太大的船，一個太漂亮的女人，一段太長的旅行，一瓶太刺鼻的香水，一種我不會創作的音樂。我永遠無法放棄這艘船，不過幸好，我可以放棄我的生命。反正沒人記得我存在過，而你是例外，max，你是唯一一個知道我在這里的人。你是唯一一個，而且你最好習慣如此。原諒我，朋友，我不會下船的。