英文電影影評2018

⑴ 電影奇跡男孩英文觀後感100字

電影奇跡男孩英文觀後感是：

1、英文觀後感：

Films occasionally fall into the stereotype of children's films, which are too cute and create inappropriate humor for young groups.

However, the film's ultimate success not only tells a complex story, but also conveys the experience of confusion, loneliness and fear to the audience.

2、中文翻譯：

影片偶爾也落入兒童電影的窠臼，顯得過於可愛和為低齡群體製造不恰當的幽默。不過，影片最終成功不只是講述一個復雜的故事，而且給觀眾傳達了少年經歷困惑、孤獨和害怕的體驗。

劇情簡介：

天生面部缺陷的小男孩奧吉，從小由母親在家裡教導，五年級時，他終於有機會進入普通的學校學習。初進學校的奧吉因為自己的長相受到同學們的嘲笑和欺負，但是在父親、母親、姐姐、老師以及好友的幫助下，他最終找到了自信，並用自己的行動改變了其他人的看法。

⑵ 尋夢環游記觀後感英文50字

鏈接:https://pan..com/s/182worN8j04AEpuYYKoMpOQ

《尋夢環游記》是皮克斯動畫工作室的第19部動畫長片，由華特·迪士尼電影工作室、皮克斯動畫工作室聯合出品，李·昂克里奇、阿德里安.莫利納執導，安東尼·岡薩雷斯、本傑明·布拉特、蓋爾·加西亞·貝納爾、蕾妮·維克多等參與配音。

該片的靈感源於墨西哥亡靈節，講述了熱愛音樂的小男孩米格和落魄樂手埃克托在五彩斑斕的神秘世界開啟了一段奇妙冒險旅程的故事。該片於2017年11月22日在美國上映，2017年11月24日在中國內地上映，2020年7月20日在中國內地重映。

2018年3月5日，該片獲得第90屆奧斯卡金像獎最佳動畫長片

⑶ 名著讀後感，或英語電影影評，1000字以上,要英文的，三篇……謝謝

你不給我加分，怎麼對得起我！！！！！！！！！！！！！

英文影評:千與千尋(Spirited Away)
Animated feature from Japanese master Hayao Miyazaki. A young girl finds herself trapped in a mystical realm, where she must find a way to save her parents - who have been turned into pigs
There's something almost criminal about the way Spirited Away took over two years to reach Britain after its original Japanese release. In Japan, Hayao Miyazaki is both commercially successful (his films regularly beat box office records) and highly respected (Akira Kurosawa said: "I am somewhat disturbed when critics lump our works together. One cannot mimimise the importance of Miyazaki's work by comparing it to mine."). In Britain, however, his work has barely got more than a few cursory arts venue screenings. At least Spirited Away - which took the Berlin Golden Bear in 2002 and the Best Animated Film Oscar in 2003 - made it. Better late than never.

After the stress of making his last film, 1997's Princess Mononoke, Miyazaki had a breakdown and retired. But he came out of retirement when an idea to create another, lighter film began to take shape. Princess Mononoke was an action-packed epic that ranged across 15th century Japan. For Spirited Away he returned to the quieter - but no less serious - themes that he addressed to a degree in 1988's My Neighbor Tortoro. Both films feature a family moving house, girls getting used to upheaval, and elements of 'Alice In Wonderland'. But where the 1988 film used a few specific motifs from Carroll's book (a plunge into a 'rabbit hole', a version of the Cheshire cat), Spirited Away casts its 10-year-old protagonist, Chihiro (Hîragi; or Chase in the US b), fully into a Wonderland, a mystical otherworld populated by animal spirits and gods. Chihiro arrives in this realm by accident. Her parents, heading for their new home, take a road that leads into the woods. Arriving at a dead end, they walk down a corridor through a building and emerge in what dad takes to be "an abandoned theme park". It's something like a Japanese Portmeirion, but eerily deserted. While her parents greedily help themselves to food, Chihiro wanders off and meets Haku (Irino; or Marsden), a boy who warns her to leave before dark. She's too late though - a lake has appeared, blocking her route, ghostly forms have populated the town and her parents have turned into pigs. She's trapped.

The only way to survive, Haku tells her, is to get work in the bath house that dominates the town. Here "eight million gods rest their weary bones", according to Yubaba (Natsuki; or Pleshette), the witch who runs the establishment. Chihiro makes her way to meet Yubaba with the help of Kamajii (Sugawara; Ogden Stiers), a multi-limbed codger who runs the boiler house, Lin (Tamai; Egan), a serving woman with a taste for "roasted newt", and even a 'Radish God', a giant sumo of a chap with tuber-like appendages. Yubaba is hardly forthcoming - her realm is "no place for humans" - but she's forced to give Chihiro work, thanks to an oath she swore. Chihiro gets work helping Lin. But the management give them the worst jobs - such as assisting a hideous oozing creature they take to be a "Stink God; an extra large stinker at that". It's an entity so foul its smell makes food rot instantaneously, while its suppurations fill the room with a noxious gloop.

Chihiro - or Sen as she becomes when Yubaba takes her name as part of her contract - does get by in the bath house, but it's not without further incident. She may lose her identity, but she retains her decency. One act of kindness results in a dangerous spirit, No Face, getting into the bath house and wreaking havoc by playing on the greed of the other employees ("Gold springs from his palms!"). She even gets involved in an adventure that reveals her mysterious bond with Haku. But can she save her parents? It's often said that Katsuhiro Otomo's Akira (1988) is the greatest anime ever. That's as maybe, but every one of Miyazaki's films is a masterpiece, so it's hard to pick just one that stands out. It's also tricky to compare his works with the more traditionally received notion of anime (giant robots, demons with phallic tentacles, telekinetic fighting, atom bomb-style explosions etc).

Although Miyazaki insists it's not his role to be didactic, all of his work (notably his second feature Nausicaa Of The Valley Of The Wind and Princess Mononoke) has strong messages about ecology and the human relationship with the natural world. But he's also fascinated with coming-of-age stories, notably about how girls (many of his protagonists are young females) can not only face up to alt responsibility, but also how they can become strong, principled members of society. Here Chihiro is forced to grow up fast, but the process, while gruelling, is not without real benefits, as her understanding of the way society functions and experience of alt emotions develops exponentially.

Some aspects of the film are likely to be too foreign for Westerners - we're ignorant of Japanese belief systems, with their hierarchies of entities - but Miyazaki's work has the power to transcend such culturally specific elements. While many of his earlier films drew on European stories (such as 1986's Castle In The Sky, from Swift), the folkloric features he reworks are often universal. But most of all, his team's animation - here utilising more digital techniques, while still being grounded in 2D traditions - is always beautiful and, in places, breathtaking. Locations are atmospheric, details are immaculate (you can identify the flower species in the gardens) and characters are diverse. Yubaba, for example, is a bizarre creation, a stocky woman with a huge head and even bigger hairdo; the bath house itself is stocked with all sorts of weird and wonderful creatures, from a Kermit-like assistant, to creatures reminiscent of his cuddly woodland deity from My Neighbor Tortoro, to troll-like beasts that look related to Maurice Sendak's 'Wild Things'). The only factor that could be seen as mildly misjudged is Jô Hisaishi's score, which is overbearing in places.
It's no wonder the likes of Pixar's John Lasseter (who executive proced the US b) are so full of praise for Miyazaki. He's a true genius, an artist and great filmmaker who happens to work in animation - a medium often belittled as childish in the West. Spirited Away is wonderful.

蜜蜂總動員 Bee Movie review by Roger Ebert
From each according to his ability, to each according to his need.

-- Karl Marx

Applied with strict rigor, that's how bee society works in Jerry Seinfeld's "Bee Movie" and apparently in real life. Doesn't seem like much fun. You are born, grow a little, attend school for three days, and then go to work for the rest of your life. "Are you going to work us to death?" a young bee asks ring a briefing. "We certainly hope so!" says the smiling lecturer, to appreciative chuckles all around.

One bee, however, is not so thrilled with the system. His name is Barry B. Benson, and he is voiced by Seinfeld as a rebel who wants to experience the world before settling down to a lifetime job as, for example, a Crud Remover. He sneaks into a formation of ace pollinators, flies out of the hive, has a dizzying flight through Central Park, and ends up (never mind how) making a friend of a human named Vanessa (voice of Renee Zellweger). Then their relationship blossoms into something more, although not very much more, given the physical differences. Compared to them, a Chihuahua and a Great Dane would have it easy.

This friendship is against all the rules. Bees are forbidden to speak to humans. And humans tend to swat bees (there's a good laugh when Barry explains how a friend was offed by a rolled-up of French Vogue). What Barry mostly discovers from human society is, gasp!, that humans rob the bees of all their honey and eat it. He and Adam, his best pal (Matthew Broderick), even visit a bee farm, which looks like forced labor of the worst sort. Their instant analysis of the human-bee economic relationship is pure Marxism, if only they knew it.
Barry and Adam end up bringing a lawsuit against the human race for its exploitation of all bees everywhere, and this court case (with a judge voiced by Oprah Winfrey) is enlivened by the rotund, syrupy voiced Layton T. Montgomery (John Goodman), attorney for the human race, who talks like a cross between Fred Thompson and Foghorn Leghorn. If the bees win their case, Montgomery jokes, he'd have to negotiate with silkworms for the stuff that holds up his britches.

All of this material, written by Seinfeld and writers associated with his television series, tries hard, but never really takes off. We learn at the outset of the movie that bees theoretically cannot fly. Unfortunately, in the movie, that applies only to the screenplay. It is really, really, really hard to care much about a platonic romantic relationship between Renee Zellweger and a bee, although if anyone could pull if off, she could.

Barry and Adam come across as earnest, articulate young bees who pursue logic into the realm of the bizarre, as sometimes happened on the "Seinfeld" show. Most of the humor is verbal, and tends toward the gently ironic rather than the hilarious. Chris Rock scores best, as a mosquito named Mooseblood, but his biggest laugh comes from a recycled lawyer joke.

In the tradition of many recent animated films, several famous people turn up playing themselves, including Sting (how did he earn that name?) and Ray Liotta, who is called as a witness because his brand of Ray Liotta Honey profiteers from the labors of bees.

Liotta's character and voice work are actually kind of inspired, leaving me to regret the absence of B.B. King, Burt's Bees, Johnny B. Goode, and the evil Canadian bee slavemaster Norman Jewison, who -- oh, I forgot, he exploits maple trees.

貧民富翁(Slumdog Millionaire)
An orphaned Mum slum kid tries to change his life by winning TV's 'Who Wants To Be A Millionaire?' in a feelgood fable from director Danny Boyle and the writer of The Full Monty, Simon Beaufoy
Jamal Malik ('Skins' star Dev Patel) is being beaten by Mum police for allegedly cheating on hit TV show 'Who Wants To Be A Millionaire?' One question away from the ultimate 20 million rupee prize, no one, including slick show host Prem (Anil Kapoor), believes a chai wallah (teaboy) like Jamal could know all the answers. As the tough inspector (Irfan Khan) replays Jamal's appearance on the show, it's revealed that each question corresponds to a specific life lesson from Jamal's tragic past.

Raised in abject poverty in Mum's grimmest slum along with older brother Salim, then orphaned by a Hin mob attack, Jamal and Salim are forced to fend for themselves on the streets through opportunistic petty crime. They pick up a young girl, fellow orphan Latika (Freida Pinto), escape the clutches of a vicious Fagin-like crime boss, lose Latika, and continue their picaresque adventures, one step ahead of the law. As adolescents, however, Salim becomes entranced by a life of crime and Latika's unexpected return sets brother against brother. Will Jamal salvage his girl, his fortune and his life on 'Millionaire'?

Adapted by Full Monty writer Simon Beaufoy from Vikas Swarup's hit novel 'Q&A', Slumdog is an underdog tale. Beaufoy's lively screenplay scampers after Swarup's self-consciously Dickensian storytelling tradition, and is even built around the 'Millionaire' show, as iconic a symbol of Western capitalist entertainment as exists.

Director Danny Boyle and cinematographer Anthony Dod Mantle have evidently immersed themselves in India's sensory overload. The film revels in the sub-continent's chaotic beauty and raging colours, from Mum shantytowns to Agra's regal Taj Mahal. The thrillingly off-the-cuff digital imagery reflects a nation in a state of explosive flux, looming skyscrapers erupting from wasteland, slum kids turning into overnight millionaires through the kiss of television. The film's uniquely vibrant, headlong 21st century rush is that of the infinite possibilities of modern India itself.

Slumdog's such a crowd-pleaser that some critics might brand it Boyle's best since Trainspotting . It even echoes a couple of that film's classic set pieces, notably a slum chase reminiscent of Renton and Co's opening Edinburgh dash and a lavatorial incident so stomach-churning (yet hilarious), it makes Trainspotting's infamous toilet scene seem like Ewan McGregor took an Evian bath.

In fact, the likable Boyle has been on great form for some time - 28 Days Later revamped the zombie movie, Millions is perhaps the best kids film of recent years. No other current British director makes such thrillingly current (all his films are set in either the present or future), kinetic, inherently visual films and proper recognition is long overe - though, true to form, he's insistent here on crediting co-director Loveleen Tandan, whose major contribution seems to have been unearthing the wonderfully naturalistic kids to play Jamal, Salim and Latika.
Verdict
A spirited underdog fable marinated in modern India's melting pot. Danny Boyle's still the master of spices.

⑷ 冰雪奇緣英文影評

懂得英文，我們可以聽得懂《冰雪奇緣》這部英文原聲的電影。下面是我給大家帶來冰雪奇緣英文影評，供大家參閱!

冰雪奇緣英文影評

In winter I watch a film,who is called Frozen,it is about two girls called Elsa and Anna.They were very closed in kid,one day Elsa hurt Anna with her power carelessly.Then Elsa start to scare her power,and not to propinquity anybody including Anna.Stop in here ,in this film I learn two things .First love is importance to everyone,because love can make us be strong.Second confidence can make everything be true,I think that not have any confidance you will be lose,just like Anna she have her confidant to find Elsa at last she did.

冰雪奇緣英文影評

Frozen is outstanding. From the humor to the music, Frozen takes you on a thrilling journey for all ages. Much like many Disney movies it starts off making the characters heartrendingly vulnerable, which is the beginning for the audience to become attached to the sister o, and for them to wonder where the tragedy will take them. Which brings you to hear splendid ets with Kristin Bell and Idina Menzel. The soundtrack belonging to this Picture has the power to make you laugh until your side hurts, and start singing the lyrics before you even leave the theater. This has to be one of the best Disney Princess films I have ever had the opportunity to watch. The Humor is delightful, the quotes from the film are so memorable you'll catch yourself quoting it in daily conversation. Frozen is defiantly on the path to becoming a Disney classic, and I had been counting down the days until I can own this captivating film. Frozen is a must see.

冰雪奇緣英文影評

Elsa, princess of Arendelle, possesses Cryokinesis, the magical ability to create ice and snow. One night while playing, she accidentally knocks out her younger sister, Anna. The king and queen seek help from trolls, who heal Anna and remove her memories of her sister's magic. The royal couple isolates the children in their castle until Elsa learns to control her powers. Afraid of hurting her sister again, Elsa spends most of her time alone in her room, causing a rift between the girls as they grow up. When the girls are teenagers, their parents die at sea ring a storm.

When Elsa comes of age, the kingdom prepares for her coronation. Among the guests is the Duke of Weselton, a tradesman seeking to exploit Arendelle for profit. Excited to be allowed out of the castle again, Anna explores the town and meets Prince Hans of the Southern Isles, and the two immediately develop a mutual attraction. Despite Elsa's fear, her coronation goes off without incident. During the reception, Hans proposes and Anna hastily accepts. However, Elsa refuses to grant her blessing and forbids their sudden marriage. The sisters argue, culminating in an emotional Elsa's abilities being exposed.

Panicking, Elsa flees the palace, inadvertently unleashing an eternal winter on the kingdom in the process. High in the nearby mountains, she casts off restraint, building herself a solitary ice palace, and unknowingly brings to life her and Anna's childhood snowman, Olaf. Meanwhile, Anna sets out in search of her sister, determined to return her to Arendelle, end the winter, and mend their relationship. While getting supplies, she meets mountain man Kristoff and his reindeer Sven. She convinces him to guide her up the North Mountain. The group then encounters Olaf, who leads them to Elsa's hideaway.

Anna and Elsa reunite, but Elsa still fears hurting her sister. When Anna persists in persuading her sister to return, Elsa becomes agitated and accidentally strikes Anna in the heart with her powers. Horrified, she creates a giant snow creature to run the friends away before she accidentally hurts anyone again. As they flee, Kristoff notices Anna's hair is turning white, and deces something is very wrong. He seeks help from his adoptive family of trolls, who explain that Anna's heart has been frozen. Unless it's thawed by an "act of true love", she will become frozen solid forever. Believing that only Hans can save her, Kristoff races back with her to Arendelle.

Meanwhile, Hans, leading a search for Anna, reaches Elsa's palace. In the ensuing battle against the Duke's men, she is knocked unconscious and imprisoned back at the kingdom. There, Hans pleads with her to undo the winter, but Elsa confesses she doesn't know how. When Anna reunites with Hans and begs him to kiss her to break the curse, Hans refuses and reveals that his true intention in marrying her is to seize control of Arendelle's throne. Leaving Anna to die, he charges Elsa with treason for her younger sister's apparent death.

Elsa escapes and heads out into the blizzard on the fjord. Olaf finds Anna and reveals Kristoff is in love with her. The two then rush onto the fjord to find him. Hans confronts Elsa and tells her Anna is dead because of her. In Elsa's despair, the storm suddenly ceases, giving Kristoff and Anna the chance to reach each other. However, when Anna sees that Hans is about to kill Elsa, she throws herself between the two and subsequently freezes solid, blocking the blow, knocking Hans off his feet and rendering him unconscious when he hits his head on the icy surface.

As Elsa grieves for her sister, Anna's decision to sacrifice herself to save Elsa constitutes an "act of true love" and thaws her. Realizing love is the key to controlling her powers, Elsa is able to thaw the kingdom and even helps Olaf survive in summer. Hans is sent back to the Southern Isles to face punishment for his crimes against the royal family of Arendelle, and Elsa cuts off trade with Weselton. Anna and Kristoff share a kiss, and the two sisters reconcile, with Elsa promising never to shut the castle gates again.

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⑸ 電影【仙境之橋】觀後感

[電影【仙境之橋】觀後感]

主人公是一個上蒼賦予了畫畫天分的小男孩，電影【仙境之橋】觀後感。

男孩本打算穿自己的鞋參加今天的賽跑比賽，可惜媽媽將那雙破舊的鞋給扔掉了，男孩只好穿姐姐的鞋，那雙鞋充滿了女孩的味道。男孩用黑色的彩筆將鞋子塗黑，以便參加今天的比賽。

男孩來到學校學校，受人欺負。上課的時候，為了不讓其他人發現他的帶有女孩氣息的鞋，把腳縮在一起。

今天的學校與以往有所不同的是，來了個新同學。一個女孩，再後來的了解中，她家沒有電視，這一點受到大家的嘲笑，除了那個男孩沒有嘲笑。女孩的父母在家，都是作家，是寫小說的自由作家。女孩沒有什麼朋友，除了男孩。

下課了，在廁所門口，一個長發女孩，擋在門口，想進去的人，得交一元錢。

這時候，比賽開始了，女孩也參加了，這引起了其他男孩的注意，有些不滿，但男孩的一句話，讓他打消了不滿：難道你怕比不過她。預備開始，大家爭先恐後的奔跑，比賽激烈程度不亞於奧運會。先是男孩跑在第一位，後來女孩沖上來了，得了第一。

偶然間，女孩發現男孩的畫畫很有天賦，很想和他成為朋友，但總被男孩拒絕。

一天的課程結束了，放學了，在校車上，那個長發的女孩，坐在左後一排中間，很顯眼的位置，有說有笑。男孩和他不在同一年級的小妹妹下了車。很巧的是，女孩也下了車，他們的家裡的很近。

有一天放學的時候，女孩帶男孩去了樹叢里，他們玩的不亦樂乎，女孩的腦袋裡，充滿了冒險的想法。他們在一個兩岸中間有一條小河的地方，發現了一條可以到對岸的繩子。於是兩人依靠繩子到了對岸，由於這是迪斯尼的傑作，於是電影里的樹、動物都是人的影子。他們與惡魔斗爭。一個字，驚險。

不久後的一天，在女孩家裡，大家一起塗牆，很開心。女孩的父親誇男孩的天賦，觀後感《電影【仙境之橋】觀後感》。

又開學了，在女生洗手間，那個長發的女孩，被父親打了，在洗手間哭泣，男孩勸女孩去安慰長發女孩，：難道敢與惡魔斗爭的你，害怕長發女孩？女孩推開了門。

由於音樂老師發現了男孩的畫畫天分，於是邀他一起去博物館。男孩徵得母親同意，欣喜應邀。在車子路過女孩家的時候，男孩遲疑了幾秒，但還是什麼都沒說，與車子的速度到達了博物館。等到男孩很開心的到家的時候，全家都驚愕了。母親抱著男孩的頭，大哭。男孩驚奇的問，怎麼了。原來，女孩死了，在她握著繩子過岸時，頭闖到了樹上。

男孩將自己封閉在自己的房間里，看著自己畫的女孩的模樣。

又到了上學的時間，在校車上，司機表示難過。

當男孩被同學欺負的時候，長發女孩替男孩出氣，打了一頓那個同學。

結尾的時候，男孩用了木頭在兩岸中間搭了一座橋。很美，拉著小妹妹的手，走過了橋。橋的對岸，很多「朋友」在迎接他們。

我想，人要向好的方向發展，知道自己什麼該做、什麼不該做。電影中的長發女孩告訴我們：我們要團結、向上，只要心存善念，就一定會有好果。我覺得，我們要好好的享受屬於我們的青春，不要浪費、揮霍。珍惜生命，珍惜時光、珍惜青春。我們要交一些朋友，值的信任的、內心廣闊的、大氣的朋友。不要做太冒險的事情，珍視生命。好好的讀書吧，這樣才有機會，買自己想要的東西。不要在意他們的嘲笑，好好的管理好自己的內心，使自己有熱情的生活，熱愛生命。加油!!!

〔電影【仙境之橋】觀後感〕隨文贈言：【人生舞台的大幕隨時都可能拉開，關鍵是你願意表演，還是選擇躲避。】