① 国外电影中的经典独白
《勇敢的心》华莱士的战前动员。 威廉华莱士：“战斗，你可能会死；逃跑，至少能苟且偷生，年复一年，直到寿终正寝。你们！愿不愿意用这么多苟活的日子去换一个机会，仅有的一个机会！那就是回到战场，告诉敌人，他们也许能夺走我们的生命，但是，他们永远夺不走我们的自由！”
十年，它的感动仍旧历历在目；十年，它的芬芳依然四处飘洒。十年后，我们没有忘记那位为自由而战的英雄，那段凄美悲壮的史诗，那声震撼人心的自由的呼喊。
多少个十年之后，我们仍将铭记这个关于自由与爱的不朽经典。也许只有岁月才能让我们理解“每个人都会死，但是并非每个人都曾真正的活过。”这句话的含义。
② 经典的英文电影独白
五十九部精典电影对白全部英汉对照
1. Frankly，my dear，I don't give a damn.坦白说，亲爱的，我一点也不在乎。（《乱世佳人》1939）
2. I'm going to make him an offer he can't refuse.我会给他点好处，他无法拒绝。（《教父》1972）
3. You don't understand！Icoulda had class.I coulda been a contender.I could've been somebody，instead of a bum，which is what I am.你根本不能明白！我本可以获得社会地位，我本可以是个竞争者，我本可以是任何有头有脸的人而不是一个毫无价值的游民！（《码头风云》1954）
4. Toto，I've got a feeling we're not in Kansas anymore.托托，我想我们再也回不去堪萨斯了。（《绿野仙踪》1939）
5. Here's looking at you，kid.就看你的了，孩子。（《卡萨布兰卡》1942）
6. Go ahead，make my day.来吧，让我也高兴高兴。（《拨云见日》1983）
7. All right，Mr.DeMille，I'm ready for my close－up.好了，德米勒先生，我已经准备好拍摄我的特写镜头了。（《日落大道》1950）
8. May the Force be with you.愿原力与你同在。（《星球大战》1977）
9. Fasten your seatbelts. It's going to be a bumpy night.系紧你的安全带，这将是一个颠簸的夜晚。（《彗星美人》1950）
10. You talking to me？你是在和我说话吗？（《出租车司机》1976）
11. I love the smell of napalm in the morning.我喜欢闻弥漫在清晨空气中的汽油弹味道。（《现代启示录》1979）
12. Love means never having to say you're sorry.爱就是永远不必说对不起。(《爱情故事》1970)
13. Made it，Ma！Top of the world！好好去做吧，站在世界之巅！（《歼匪喋血战》1949）
14. I'm as mad as hell，and I not going to take this anymore！我疯狂得如同地狱中的恶魔，我不会再这样继续下去了！（《电视台风 云》1976）
15. Louis，I think this is the beginning of a beautiful friendship.路易斯，我认为这是一段美好友谊的开始。（《卡萨布兰卡》1942）
16. Bond.James Bond.邦德，詹姆士邦德。(《诺博士》1962)
17. There's no place like home.没有一个地方可以和家相提并论。（《绿野仙踪》1939）
18. I am big！It's the pictures that got small.我是巨大的！是这些照片让我变得渺小了。（《日落大道》1950）
19. Show me the money！让我看到钱！（《甜心先生》1996）
20. Play it，Sam. Play'As Time Goes By'.弹这首，山姆，就弹“时光流逝”。
原文：“Of all the gin joints in all the towns in all the world，she walks in to mine.”
Humphrey Bogart，“Casablanca”
译文：“世界上有那么多的城镇，城镇中有那么多的酒馆，她却走进了我的。”
（《卡萨布兰卡》1942）
21. You can't handle the truth！你不能操纵事实！（《义海雄风》1992）
22. I want to be alone.我想一个人呆着。（《大饭店》1932）
23. 1.Land is the only thing in the world worth working for, worth fighting for, worth dying for. Because it’s the only thing that lasts.(土地是世界上唯一值得你去为之工作, 为之战斗, 为之牺牲的东西,因为它是唯一永恒的东西)
2.I wish I could be more like you.(我要像你一样就好了)
3.Whatever comes, I’ll love you, just as I do now. Until I die.(无论发生什么事,我都会像现在一样爱你,直到永远)
4.I think it’s hard winning a war with words.(我认为纸上谈兵没什么作用)
5.Sir, you’re no gentleman. And you miss are no lady.(先生,你可真不是个君子,小姐,你也不是什么淑女)
6.I never give anything without expecting something in return. I always get paid.(我做任何事不过是为了有所回报,我总要得到报酬)
7.In spite of you and me and the whole silly world going to pieces around us, I love you.(哪怕是世界末日我都会爱着你)
8.I love you more than I’ve ever loved any woman. And I’ve waited longer for you than I’ve waited for any woman. 此句只可意会不可言传
9.If I have to lie, steal, cheat or kill, as God as my witness, I’ll never be hungry again! (即使让我撒谎,去偷,去骗,去杀人,上帝作证,我再也不要挨饿了)
10.Now I find myself in a world which for me is worse than death. A world in which there is no place for me.(现在我发现自己活在一个比死还要痛苦的世界,一个无我容身之处的世界)
11.You’re throwing away happiness with both hands. And reaching out for something that will never make you happy.(你把自己的幸福拱手相让,去追求一些根本不会让你幸福的东西)
12.Home. I’ll go home. And I’ll think of some way to get him back. After all, tomorrow is another day.(家,我要回家.我要想办法让他回来.不管怎样,明天又是全新的一天)
13.After all，tomorrow is another day！毕竟，明天又是新的一天！
原文：“Frankly my dear，I don＇t give a damn.”
Clark Gable，“Gone With The Wind”
译文：“坦白地说，我不在乎。”
演员、影片与年份：克拉克-盖伯，《飘》，1939
24. I'll have what she's having.我会拥有她所拥有的。（《当哈里遇上萨莉》1989）
25. I'll be back.我会回来的。（《终结者》1984）
26. Today，I consider myself the luckiest man on the face of the earth.现在，我想我是这个世界上最幸运的人。（《扬基的骄傲》1942）
27. 1.Mama always said life was like a box of chocolates. You never know what you're gonna get.妈妈说生活就像一盒巧克力，你永远都不知道你会得到什么。
2． Stupid is as stupid does. (蠢人做蠢事，也可理解为傻人有傻福)
3． Miracles happen every day. (奇迹每天都在发生)
4． Jenny and I was like peas and carrots.(我和珍妮形影不离)
5． Have you given any thought to your future?(你有没有为将来打算过呢)
6． You just stay away from me please.(求你离开我)
7． If you are ever in trouble, don’t try to be brave, just run, just run away.(你若遇上麻烦，不要逞强，你就跑，远远跑开)
8． It made me look like a ck in water.(它让我如鱼得水)
9． Death is just a part of life, something we’re all destined to do.(死亡是生命的一部分，是我们注定要做的一件事)
10． I was messed up for a long time.(这些年我一塌糊涂)
11． I don’t know if we each have a destiny, or if we’re all just floating around accidental？like on a breeze.(我不懂我们是否有着各自的命运，还是只是到处随风飘荡)
（《阿甘正传》1994）
28. We'll always have Paris.我们永远都怀念巴黎（那段美好的时光）。（《卡萨布兰卡》1942）
29. Oh，Jerry，don't let's ask for the moon.We have the stars.噢，杰瑞，不要再乞求能得到月亮了，我们已经拥有星星了。（《扬帆》1942）
30. Well，nobody's perfect.人无完人。（《热情似火》1959）
31. You've got to ask yourself one question："Do I feel lucky?" Well，do ya，punk？你应该问你自己一个问题：“我是幸运的吗？”快点去做，年轻人，无知的年轻人。（《警探哈里》1971）
32. You had me at″hello.″当你说“你好”的那一刻起就拥有我了。（《甜心先生》1996）
33. There's no crying in baseball！在棒球运动中没有哭泣！（《红粉联盟》1992）
34. A boy's best friend is his mother.一个男孩最好的朋友是他的母亲。（《惊魂记》1960）
35. Greed，for lack of a better word，is good.没有比“贪婪”更好的词语了。（《华尔街》1987）
36. Keep your friends close，but your enemies closer.亲近你的朋友，但更要亲近你的敌人。（《教父II》1974）
37. As God is my witness，I'll never be hungry again.上帝为我作证，我不会再让自己挨饿了。（《乱世佳人》1939）
38. Mrs.Robinson，you're trying to seceme.Aren't you？罗宾逊太太，你是在引诱我，对吗？（《毕业生》1967）
39. Of all the gin joints in all the towns in all the world，she walks into mine.世界上有那么多的城镇，城镇中有那么多的酒馆，她却走进了我的（酒馆）。（《卡萨布兰卡》1942）
40. Wait a minute，wait a minute.You ain't heard nothin'yet！等一会儿，等一会儿。你肯定听到了什么！（《爵士歌手》1927）
41. I have always depended on the kindness of strangers.我总是非常依赖陌生人的仁慈。（《欲望号街车》1951）
42. Listen to them. Children of the night. What music they make.快点来听！黑夜中孩子的声音是他们缔造的美妙音乐。（《吸血鬼》1931）
43. I feel the need－the need for speed！我感到一种需要，一种加速的需要！（《壮志凌云》1986）
44. Carpe diem. Seize the day，boys. Make your lives extraordinary.人生就应该是快乐的，要抓住每一天，孩子们。让你们的生活变得非凡起来。（《死亡诗社》1989）
③ 有哪些著名的美国电影独白片段
《肖申克的救赎》You know some birds are not meant to be caged, their feathers are just too bright.你知道，有些鸟儿是注定不会被关在牢笼里的，它们的每一片羽毛都闪耀着自由的光辉。There is something inside ,that they can't get to , that they can't touch. That's yours.那是一种内在的东西, 他们到达不了,也无法触及的,那是你的。
④ 求外国电影的感人独白(比如到墓地祈祷,表白) 长约5-10分钟
推荐美剧《犯罪心理》，几乎每一集开头和结尾都是引用古代哲学家的一句经典语句概括本集中心思想的。同理还有《兄弟连》（但不是古语）。
强烈推荐《完美风暴》，我查了一下，从1小时55分钟开始一直到结束，全是你所要求的那种yy式独白了，包括临死前对恋人说的，死后追悼的，长达十几分钟！
《阿甘正传》中也有很多处，但是个人认为这部片子不论是学英语还是搞精神建设，都已经被引用的太滥了……
《肖申克的救赎》，不是很推荐，因为虽然从头到尾都穿插叙事性的旁白，但是每一段都不是很长。
建议多找找04年以前的片子，个人感觉从04年以后拍的片子中已经很难找到那种大段的抒情式独白了。再者，目前拍得感人的美国电影几乎已经摒弃了大段冗长的独白了（纪录片除外），但凡拍的深刻的全靠情节出彩，例如《撞车》、《七磅》、《我是传奇》等等
⑤ 欧美经典电影大段独白
教父
[delivering his rehearsed speech]
Luca Brasi : Don Corleone, I am honored and grateful that you have invited me to your daughter... 's wedding... on the day of your daughter's wedding. And I hope their first child be a masculine child. I pledge my ever-ending loyalty.
[after Michael gets off the phone with Kay, clearly too embarrassed to tell her "I love you too."]
Clemenza : Mikey, why don't you tell that nice girl you love her? "I love you with all-a my heart, if I don't see-a you again soon, I'm-a gonna die..."
Sonny : Goddamn FBI don't respect nothin'.
Fabrizio : In Sicily, women are more dangerous than shotguns.
Sonny : I want someone good, I mean very good, to plant that gun. I don't want my brother coming out of the bathroom with just his dick in his hands.
Michael : My father is no different than any powerful man, any man with power, like a president or senator.
Kay Adams : Do you know how naive you sound, Michael? Presidents and senators don't have men killed.
Michael : Oh. Who's being naive, Kay?
Jack Woltz : Johnny Fontane never gets that movie. That part is perfect for him, it'll make him a big star, and I'm gonna run him out of the business - and let me tell you why: Johnny Fontane ruined one of Woltz International's most valuable proteges. For five years we had her under training - singing lessons, acting lessons, dancing lessons. I spent hundreds of thousands of dollars on her, I was gonna make her a big star. And let me be even more frank, just to show you that I'm not a hard-hearted man, and that it's not all dollars and cents: She was beautiful; she was young; she was innocent. She was the greatest piece of ass I've ever had, and I've had 'em all over the world. And then Johnny Fontane comes along with his olive oil voice and guinea charm, and she runs off. She threw it all away just to make me look ridiculous! And a man in my position can't afford to be made to look ridiculous!
Jack Woltz : Now you listen to me, you smooth talking son-of-a-bitch. Let me lay it on the line for you and your boss, whoever he is. Johnny Fontane will never get that movie. I don't care how many dago guinea wop greaseball goombahs come out of the woodwork.
[first lines]
Bonasera : I believe in America. America has made my fortune.
Michael : That's my family, Kay. It's not me.
Don Corleone : Do you spend time with your family? Good. Because a man that doesn't spend time with his family can never be a real man.
Tom Hagen : Now we have the unions, we have the gambling; and they're the best things to have. But narcotics is a thing of the future. And if we don't get a piece of that action, we risk everything we have. I mean not now, but, ah, ten years from now.
[Luca Brasi's bulletproof vest is delivered, wrapped around a fish]
Clemenza : It's a Sicilian message. It means Luca Brasi sleeps with the fishes.
Tessio : Can you get me off the hook, Tom? For old times' sake?
Tom Hagen : Can't do it, Sally.
Don Corleone : Tattaglia's a pimp. He never could've out-fought Santino. But I didn't know until this day that it was Barzini all along.
Don Corleone : I spent my whole life trying not to be careless. Women and children can be careless. But not men.
Tom Hagen : You know how they're going to come at you?
Michael : They want to arrange a meeting between me and Barzini. On Tessio's ground. Where I'll be safe.
Don Corleone : You talk about vengeance. Is vengeance going to bring your son back to you? Or my boy to me?
Don Corleone : I never thought you were a bad consiglieri, Tom. I thought Santino was a bad don, rest in peace.
Don Corleone : What have I ever done to make you treat me so disrespectfully? If you'd come to me in friendship, then this scum that ruined your daughter would be suffering this very day. And if by chance an honest man like yourself should make enemies, then they would become my enemies. And then they would fear you.
Don Corleone : I like to drink wine more than I used to.
Michael : It's good for ya, Pop.
Don Corleone : Anyway I'm drinkin' more.
Tom Hagen : Mr. Corleone never asks a second favor once he's refused the first, understood?
[after being asked how he will arrange to buy a hotel from Moe Greene]
Michael : I'll make him an offer he can't refuse.
[speaking with the father of the girl he plans to marry, and after telling him that he's in hiding from some gangsters]
Michael : Some people will pay a lot of money for that information; but then your daughter would lose a father, instead of gaining a husband.
Michael : Fredo, you're my older brother and I love you, but don't ever take sides with anyone against the family again. Ever.
Sonny : Hey, whataya gonna do, nice college boy, eh? Didn't want to get mixed up in the Family business, huh? Now you wanna gun down a police captain. Why? Because he slapped ya in the face a little bit? Hah? What do you think this is the Army, where you shoot 'em a mile away? You've gotta get up close like this and bada-bing. you blow their brains all over your nice Ivy League suit. C'mere...
[kisses Michael's head]
Michael : Sonny...
Sonny : You're taking this very personal. Tom, this is business and this man is taking it very personal.
Michael : It's not personal, Sonny. It's strictly business.
Moe Greene : Do you know who I am? I'm Moe Greene. I made my bones while you were going out with cheerleaders.
Sollozzo : I'm a businessman, Tom. I don't like violence; blood is a big expense.
Michael : My father made him an offer he couldn't refuse.
Kay Adams : What was that?
Michael : Luca Brasi, held a gun to his head, and my father assured him, that either his brain or his signature would be on the contract.
Michael : Ah, get me Long Beach 4-5620. please
Don Corleone : Someday - and that day may never come - I'll call upon you to do a service for me. But until that day, accept this justice as gift on my daughter's wedding day.
Sonny : We don't discuss business at the table.
Don Corleone : I never wanted this for you. I work my whole life - I don't apologize - to take care of my family, and I refused to be a fool, dancing on the string held by all those bigshots. I don't apologize - that's my life - but I thought that, that when it was your time, that you would be the one to hold the string. Senator Corleone; Governor Corleone. Well, it wasn't enough time, Michael. It wasn't enough time.
Michael : We'll get there, pop. We'll get there.
[after Sonny beats up Carlo Rizzi for hitting Connie]
Sonny : You touch my sister again, I'll kill you.
Don Corleone : You could act like a man.
[slaps Johnny Fontane]
Don Corleone : What's the matter with you? Is this what you've become, some Hollywood finnochio that cries like a woman?
[mockingly imitates Johnny]
Don Corleone : Oh, Godfather, what am I gonna do? What am I gonna do?
Don Corleone : I'm a superstitious man, and if some unlucky accident should befall Michael - if he is to be shot in the head by a police officer, or be found hung dead in a jail cell... or if he should be struck by a bolt of lightning - then I'm going to blame some of the people in this room; and then I do not forgive. But with said, I pledge - on the souls of my grandchildren - that I will not be the one to break the peace that we have made today.
Michael : Don't ask me about my business, Kay.
[to his associate, who has killed Paulie in the car]
Clemenza : Leave the gun.
[pause]
Clemenza : Take the cannolis.
Clemenza : You know any goodest spots on the west side?
Paulie Gatto : Yeah, I think about it.
Clemenza : Well think about it while you're driving, I wanna hit New York sometime this month.
Capt. McCluskey : Is the Italian food good here?
Sollozzo : Yeah, try the veal; it's the best in the city.
Kansas City Don: [talking about opposition to drug dealing] I, too, don't believe in drugs. For years I paid my people extra to stay away from that sort of stuff, but someone comes along saying, "I've got powders where if you put up a three to four thousand dollar investment, you can make fifty thousand distributing," then there is no way to resist it. I want to keep it respectable. I DON'T WANT IT NEAR SCHOOLS, I DON'T WANT IT SOLD TO CHILDREN! In my city, we'd keep the traffic in the Dark People, the Coloreds - they're animals anyway; so let them lose their souls.
Clemenza : All right, you just shot 'em both. Now what do you do?
Michael : Sit down and finish my dinner.
Sonny : How's Paulie?
Clemenza : Oh, Paulie... won't see him no more.
Connie : Dinner's on the table.
Carlo Rizzi : I'm not hungry yet.
Connie : Your food is on the table. It's getting cold.
Carlo Rizzi : I'll eat out later.
Connie : You just told me to make you dinner!
Carlo Rizzi : Hey, vaffanculo, eh?
Connie : I'll vaffanculo you!
Don Corleone : [seeing Sonny in the mortuary] Look how they massacred my boy.
Don Corleone : Never let anyone outside the family know what you're thinking.
卡萨布兰卡/北非谍影 Casablanca
Annina: And he never knew, and the girl kept this bad thing locked in her heart? That would be all right, wouldn't it?
Annina: Monsieur Rick, what kind of a man is Captain Renault?
Annina: Oh, monsieur, you are a man. If somone loved you very much, so that your happiness was the only thing that she wanted in the world, but she did a bad thing to make certain of it, could you forgive her?
Annina: Oh, yes, please.
Banker: Perhaps if you told him I ran the second largest banking house in Amsterdam.
Banker: We have something to look forward to.
Banker: What? Do you know who I am?
Berger: We read five times that you were killed, in five different places.
Captain Renault: Carl, see that Major Strasser gets a good table, one close to the ladies.
Captain Renault: Everybody out at once!
Captain Renault: Excuse me.
Captain Renault: He is traveling with a lady.
Captain Renault: Hmmh! Diplomatist!
Captain Renault: How extravagant you are, throwing away women like that. Some day they may be scarce.
Captain Renault: I think not. I have seen the lady.
Captain Renault: I was informed you were the most beautiful woman ever to visit Casablanca. That was gross understatement.
Captain Renault: I'll be there at ten.
Captain Renault: I'm afraid Major Strasser would insist.
Captain Renault: I'm just writing the report now. We haven't quite decided whether he committed suicide or died trying to escape.
Captain Renault: I'm shocked, shocked to find that gambling is going on in here!
Captain Renault: I've often speculated why you don't return to America. Did you abscond with the church funds? Run off with a senator's wife? I like to think you killed a man. It's the Romantic in me.
Captain Renault: If he ever gets a word in, it'll be a major Italian victory.
Captain Renault: In 1935, you ran guns to Ethiopia. In 1936, you fought in Spain, on the Loyalist side.
Captain Renault: Is that a serious offer?
Captain Renault: Major Strasser has been shot. Round up the usual suspects.
Captain Renault: Make it ten. I'm only a poor corrupt official.
Captain Renault: Mamoiselle, you are in Rick's! And Rick is...
Captain Renault: My dear Ricky, you overestimate the influence of the Gestapo. I don't interfere with them and they don't interfere with me. In Casablanca I am master of my fate! I am...
Captain Renault: No matter how clever he is, he still needs an exit visa... or I should say two?
Captain Renault: Oh no! Not here please! Come to my office tomorrow morning. We'll do everything businesslike.
Captain Renault: Oh no, Emil, please. A bottle of your best champagne, and put it on my bill.
Captain Renault: Oh, please, monsieur. It is a little game we play. They put it on the bill, I tear up the bill. It is very convenient.
Captain Renault: Realizing the importance of the case, my men are rounding up twice the usual number of suspects.
Captain Renault: Rick, there are many exit visas sold in this café, but we know that you've never sold one. That is the reason we permit you to remain open.
Captain Renault: That is another reason.
Captain Renault: That makes Rick a citizen of the world.
Captain Renault: The waters? What waters? We're in the desert.
Captain Renault: The winning side would have paid you much better.
Captain Renault: This is the end of the chase.
Captain Renault: We are very honored tonight, Rick. Major Strasser is one of the reasons the Third Reich enjoys the reputation it has today.
Captain Renault: We musn't underestimate American blundering. I was with them when they blundered into Berlin in 1918.
Captain Renault: Well, personally, Major, I will take what comes.
Captain Renault: Well, Rick is the kind of man that... well, if I were a woman, and I were not around, I should be in love with Rick. But what a fool I am talking to a beautiful woman about another man.
Captain Renault: What in heaven's name brought you to Casablanca?
Captain Renault: [sotto voce] Oh, thank you very much.
Carl: Hm. You will get along beautiful in America, mm-hmm.
Carl: Honest? As honest as the day is long!
Carl: I have already given him the best, knowing he is German and would take it anyway.
Carl: Oh, thank you very much. I thought you would ask me, so I brought the good brandy. And - a third glass!
Carl: Second largest? That wouldn't impress Rick. The leading banker in Amsterdam is now the pastry chef in our kitchen.
Carl: To America!
Carl: Very nice idea, mm-hmm.
Croupier: Your winnings, sir.
Customer: Are you sure this place is honest?
Emil: Very well, sir.
Heinz: Can you imagine us in London?
Ilsa: A franc for your thoughts.
Ilsa: But what about us?
Ilsa: But, Richard, no, I... I...
Ilsa: How nice, you remembered. But of course, that was the day the Germans marched into Paris.
Ilsa: I didn't count the days.
Ilsa: I wasn't sure you were the same. Let's see, the last time we met...
Ilsa: I wish I didn't love you so much.
Ilsa: I'll hum it for you. Da-dy-da-dy-da-m, da-dy-da-dee-da-m...
Ilsa: Kiss me. Kiss me as if it were the last time.
Ilsa: No.
Ilsa: Play it once, Sam. For old times' sake.
Ilsa: Play it, Sam. Play "As Time Goes By."
Ilsa: Sing it, Sam.
Ilsa: Thank you for the coffee, monsieur. I shall miss that when I leave Casablanca.
Ilsa: That's easy: there was. And he's dead.
Ilsa: Well, I'm willing to be overcharged. Tell me.
Ilsa: When I said I would never leave you.
Ilsa: Who is he?
Ilsa: Who is Rick?
Ilsa: Why there is no other man in my life?
Ilsa: Yes?
Ilsa: You're saying this only to make me go.
Jan Brandel: Captain Renault... may I?
Jan Brandel: We'll be there at six!
Major Heinrich Strasser: You repeat *Third* Reich as though you expected there to be others!
Major Strasser: Are you one of those people who cannot imagine the Germans in their beloved Paris?
Major Strasser: How about New York?
Major Strasser: What is your nationality?
Major Strasser: You give him credit for too much cleverness. My impression was that he's just another blundering American.
Mr. Leuchtag: Come sit down. Have a brandy with us.
Mr. Leuchtag: Liebchen - sweetnessheart, what watch?
Mr. Leuchtag: Mareichtag and I are speaking nothing but English now.
Mr. Leuchtag: Such much?
Mr. Leuchtag: [toasting] To America!
Mrs. Leuchtag: At last the day is came!
Mrs. Leuchtag: So we should feel at home when we get to America.
Mrs. Leuchtag: Ten watch.
Mrs. Leuchtag: To America!
Mrs. Leuchtag: To celebrate our leaving for America tomorrow.
Police Officer: Major Strasser is here, sir!
Rick: And remember, this gun is pointed right at your heart.
Rick: And you never will. But I've got a job to do, too. Where I'm going, you can't follow. What I've got to do, you can't be any part of. Ilsa, I'm no good at being noble, but it doesn't take much to see that the problems of three little people don't amount to a hill of beans in this crazy world. Someday you'll understand that. Now, now... Here's looking at you kid.
Rick: Don't you sometimes wonder if it's worth all this? I mean what you're fighting for.
Rick: Either lay off politics, or get out.
Rick: Go back to Bulgaria.
Rick: He'll take one.
Rick: Here's looking at you, kid.
Rick: How can you close me up? On what grounds?
Rick: How long was it we had, honey?
Rick: I congratulate you.
Rick: I do. You're lucky the bar's open to you.
Rick: I don't like disturbances in my place.
Rick: I don't mind a parasite. I object to a cut-rate one.
Rick: I got well paid for it on both occasions.
Rick: I just paid out twenty. I'd like to get it back.
Rick: I never make plans that far ahead.
Rick: I remember every detail. The Germans wore gray, you wore blue.
Rick: I stick my neck out for nobody.
Rick: I was misinformed.
Rick: I'm a drunkard.
Rick: I'm saying it because it's true. Inside of us, we both know you belong with Victor. You're part of his work, the thing that keeps him going. If that plane leaves the ground and you're not with him, you'll regret it. Maybe not today. Maybe not tomorrow, but soon and for the rest of your life.
Rick: If I gave you any thought I probably would.
Rick: If she can stand it, I can! Play it!
Rick: In America they'd bring only a penny, and, huh, I guess that's about all they're worth.
Rick: It was a combination of all three.
Rick: It's not particularly my beloved Paris.
Rick: Last night we said a great many things. You said I was to do the thinking for both of us. Well, I've done a lot of it since then, and it all adds up to one thing: you're getting on that plane with Victor where you belong.
Rick: Louis, I think this is the beginning of a beautiful friendship.
Rick: My health. I came to Casablanca for the waters.
Rick: No!
Rick: No.
Rick: Nobody ever loved me that much.
Rick: Not an easy day to forget?
Rick: Not right now.
Rick: Now, you've got to listen to me! You have any idea what you'd have to look forward to if you stayed here? Nine chances out of ten, we'd both wind up in a concentration camp. Isn't that true, Louie?
Rick: Of all the gin joints in all the towns in all the world, she walks into mine.
Rick: Oh, he's just like any other man, only more so.
Rick: Oh, what makes you think I haven't?
Rick: Oh? I thought it was because I let you win at roulette.
Rick: Sascha, she's had enough.
Rick: Tell me, who was it you left me for? Was it Laszlo, or were there others in between? Or - aren't you the kind that tells?
Rick: That's so long ago, I don't remember.
Rick: They got a lucky break. Yesterday they were just two German clerks. Today they're the "Honored Dead".
Rick: Twenty thousand francs says it isn't.
Rick: Uh-huh.
Rick: Was La Belle Aurora.
Rick: We all try. You succeed.
Rick: We'll always have Paris. We didn't have, we, we lost it until you came to Casablanca. We got it back last night.
Rick: Well there are certain sections of New York, Major, that I wouldn't advise you to try to invade.
Rick: Well, I did. Every one of them. Mostly, I remember the last one, the wild finish. A guy standing on a station platform in the rain, with a comical look on his face, because his insides have been kicked out.
Rick: Well, I was wondering...
Rick: Well, what of it? It'll be out of its misery.
Rick: When you get there, ask me!
Rick: Who are you really, and what were you before? What did you do, and what did you think, huh?
Rick: Who did you bribe for your visa? Renault or yourself?
Rick: Why I'm so lucky. Why I should find you waiting for me to come along.
Rick: Why two?
Rick: You know what I want to hear.
Rick: You love her that much?
Rick: You played it for her, you can play it for me!
Rick: You thought what?
Rick: You want my advice?
Rick: You were saying?
Rick: You'll excuse me, gentlemen. Your business is politics,
⑥ 英文电影经典对白（三分钟左右）
简：您为什么对我讲这些？您和她 (英格拉姆小姐)跟我有什么关系？您 以为我穷，不好看，就没有感情吗？ 告诉你吧，如果上帝赐予我财富和美 貌，我会让您难以离开我，就想我现 在难以离开您。可上帝没有这样做， 但我的灵魂能够同您的灵魂说话，仿 佛我们都经过 坟墓，平等地站在上 帝面前。 Why do you confide in me like this? What are you and she to me? You think that because I'm poor and plain, Ihave no feelings? I promise you, if God had gifted me with wealth and beauty, I would make it as hard for you to leave me now as it is for me to leave you. But He did not. But my spirit can address yours, as if both have passed through the grave and stood before heaven equal. 简：让 我走，先生。Let me go, sir. 罗切斯 特：我爱你。我爱你！I love you. I love you! 简：别，别让我干傻事。 No, don't make me foolish. 罗切斯 特：傻事？我需要你，布兰奇(英格 拉姆小姐)有什么？我知道我对她意 味着什么，是使她父亲的土地变得肥 沃的金钱。嫁给我，简 。说你嫁给 我。 Foolish? I need you. What's Blanch to me? I know what I am to her. Money to manure her father's land with. Marry me, Jane. Say you marry me. 简：你是说真的？You mean it? 罗切斯特：你的怀疑折磨着 我，答应吧，答应吧。(他把她搂在 怀里，吻她。)上帝饶恕我，别让任 何人干涉我，她是我的，是我的。 You torture me with your doubts.Say yes,say yes(He takes hersintoshis arm and kisser her.)God forgive me.And let no men meddle with me.She is mine.Mine. 简发现罗切斯特先生有个精神失常的 妻子之后。After Jane finds out Mr. Rochester has an insane wife. 罗切 斯特：总算出来了。你把自己关在房 间里一个人伤心。一句责难的话也没 有。什么都没有。这就是对我的惩 罚？我不是有心要这样伤你，你相信 吗？我无论如何也不会伤害你，我怎 么办？都对你说了我就会失去你，那 我还不如去死。 So come out at last.You shut yourself in your room and grieve alone. Not one word of reproach.Nothing.Is that to be my punishment? I didn't mean to wound you like this. Do you believe that?I wouldn't hurt you not for the world.What was I to do? Confess everything I might as well have lost my life. 简：你已经失去我了，爱德 华。我也失去了您。You have lost me, Edward.And I've lost you. 罗切 斯特：为什么跟我说这些？继续惩罚 我吗？简，我已经受够了！我生平第 一次找到我真正的爱，你不要把她拿 走。 Why did you say that to me? To punish me a little longer? Jane, I've been though! For the first time I have found what I can truly love. Don't take if away from me. 简：我 必须离开您。I must leave you.
⑦ 求简单的英语电影独白片段
《海上钢琴师》
“陆上的人喜欢寻根问底，虚度了大好光阴。冬天忧虑夏天的姗姗来迟，夏天则担心冬天的将至。所以他们不停四处游走，追求一个遥不可及、四季如夏的地方—我并不羡慕。”
Why why why why why... I think land people waste a lot of time wondering why. Winter comes they can't wait for summer; summer comes they're living dread of winter. That's why you're never tired of travelling, with chasing some place far away, where there's always summer. That doesn't sound like a good bet to me.
“我是在这艘船上出生的，整个世界跟我并肩而行，但是，行走一次只携带两千人。这里也有欲望，但不会虚妄到超出船头和船尾。你用钢琴表达你的快乐，但音符不是无限的。我已经习惯这么生活。”
“I was born on this ship, and the world passed me by, but two thousand people at a time. And there were wishes here,but never more than fit between prow and stern. You played out your happiness, but on a piano that was not infinite. I learned to live that way.
“你把我推到舷梯上然后扔给我一架有百万琴键的钢琴，百万千万的没有尽头的琴键，那是事实，max，它们没有尽头。那键盘是无限延伸的。然而如果琴键是无限的，那么在那架琴上就没有你能弹奏的音乐，你坐错了地方，那是上帝的钢琴。”
“You get me up on that gangway and you're rolling out in front of me a keyboard of millions of keys, millions and billions of keys that never end, and that's the truth, Max. That they never end. That keyboard is infinite. And if that keyboard is infinite, then on that keyboard there is no music you can play. You're sitting on the wrong bench. That's God's piano. ”
⑧ 英文电影的经典电影独白
to be or not to be,这是《哈姆雷特》（莎士比亚）的经典台词． To be, or not to be- that is the question 汉文意思是：生存还是死去，这是一个问题． 此段的全文如下： Hamlet:To be, or not to be- that is the question: Whether it's nobler in the mind to suffer The slings and arrows of outrageous fortune Or to take arms against a sea of troubles, And by opposing end them. To die- to sleep- No more; and by a sleep to say we end The heartache, and the thousand natural shocks That flesh is heir to. 'Tis a consummation Devoutly to be wish'd. To die- to sleep. To sleep- perchance to dream: ay, there's the rub! For in that sleep of death what dreams may come When we have shuffled off this mortal coil, Must give us pause. There's the respect That makes calamity of so long life. For who would bear the whips and scorns of time, Th' oppressor's wrong, the proud man's contumely, The pangs of despis'd love, the law's delay, The insolence of office, and the spurns That patient merit of th' unworthy takes, When he himself might his quietus make With a bare bodkin? Who would these fardels bear, To grunt and sweat under a weary life, But that the dread of something after death- The undiscover'd country, from whose bourn No traveller returns- puzzles the will, And makes us rather bear those ills we have Than fly to others that we know not of? Thus conscience does make cowards of us all, And thus the native hue of resolution Is sicklied o'er with the pale cast of thought, And enterprises of great pith and moment With this regard their currents turn awry And lose the name of action. 哈: {自言自语} 生存或死去, 这是个问题: 是否应默默的忍受坎坷命运之无情打击, 还是应与深如大海之无涯苦难奋然为敌, 并将其克服。 此二抉择, 究竟是哪个较崇高? 死即睡眠, 它不过如此! 倘若一眠能了结心灵之苦楚与肉体之百患, 那么, 此结局是可盼的! 死去, 睡去... 但在睡眠中可能有梦, 啊, 这就是个阻碍: 当我们摆脱了此垂死之皮囊, 在死之长眠中会有何梦来临? 它令我们踌躇, 使我们心甘情愿的承受长年之灾, 否则谁肯容忍人间之百般折磨, 如暴君之政、骄者之傲、失恋之痛、法章之慢、贪官之侮、或庸民之辱, 假如他能简单的一刀了之? 还有谁会肯去做牛做马, 终生疲於操劳, 默默的忍受其苦其难, 而不远走高飞, 飘於渺茫之境, 倘若他不是因恐惧身后之事而使他犹豫不前? 此境乃无人知晓之邦, 自古无返者。---哈姆雷特经典台词(中英文）
⑨ 一段经典的英文电影独白
电影返老还童又名本杰明巴顿奇事
Benjamin Button: Sometimes we're on a collision course, and we just don't know it. Whether it's by accident or by design, there's not a thing we can do about it. A woman in Paris was on her way to go shopping, but she had forgotten her coat - went back to get it. When she had gotten her coat, the phone had rung, so she'd stopped to answer it; talked for a couple of minutes. While the woman was on the phone, Daisy was rehearsing for a performance at the Paris Opera House. And while she was rehearsing, the woman, off the phone now, had gone outside to get a taxi. Now a taxi driver had dropped off a fare earlier and had stopped to get a cup of coffee. And all the while, Daisy was rehearsing. And this cab driver, who dropped off the earlier fare; who'd stopped to get the cup of coffee, had picked up the lady who was going to shopping, and had missed getting an earlier cab. The taxi had to stop for a man crossing the street, who had left for work five minutes later than he normally did, because he forgot to set off his alarm. While that man, late for work, was crossing the street, Daisy had finished rehearsing, and was taking a shower. And while Daisy was showering, the taxi was waiting outside a boutique for the woman to pick up a package, which hadn't been wrapped yet, because the girl who was supposed to wrap it had broken up with her boyfriend the night before, and forgot. When the package was wrapped, the woman, who was back in the cab, was blocked by a delivery truck, all the while Daisy was getting dressed. The delivery truck pulled away and the taxi was able to move, while Daisy, the last to be dressed, waited for one of her friends, who had broken a shoelace. While the taxi was stopped, waiting for a traffic light, Daisy and her friend came out the back of the theater.
本杰明·巴顿：有些时候我们就活在即将发生冲撞的轨道上，浑然不知。无论它是意外发生的还是蓄谋已久的，对此我们都无能为力。一个住在巴黎的女人正在去购物的路上，但是她忘记拿她的大衣，便回去取了。当她去拿衣服时，电话铃响了，所以她停下来去接电话，并聊了几分钟。就在那个女人打电话的时候，黛西就在为巴黎大剧院的演出而排练。就在她排练时，那个女人打完了电话，离开了屋子去叫一辆出租车（但错过了一班）。现在一个出租车司机由于这班工作完的比较早，便停下来去喝杯咖啡，与此同时黛西还在排练。这个提前完成了这趟工作喝了杯咖啡的出租车司机，接了那个错过一班出租车的去购物的女人。出租车被迫因为一个横穿道路的人急停了一下，因为一个男人比原来上班的时间晚起了五分钟，由于他忘记了上好闹钟。而就在那个晚起的，忘记上闹钟的男人过马路时，黛西也完成了排练，正在冲澡。而就在黛西洗澡的时候，那个出租车司机在精品店外，等那个女人去拿她的商品。那个商品还没有被服务员提前包装好，因为昨天晚上那个服务员刚刚和男朋友分手，把这件事情忘的一干二净。当商品被包好后，那个女人回到车上，车租车又被一辆运货车挡了一下，此时此刻黛西也梳妆完毕。在运货车离开后，出租车终于可以行驶了。当黛西最后一个打扮完后，便等待她其中一个鞋带断了的朋友。就在出租车停着等候红绿灯时，黛西和她朋友从剧院出来了。
Benjamin Button: And if only one thing had happened differently: if that shoelace hadn't broken; or that delivery truck had moved moments earlier; or that package had been wrapped and ready, because the girl hadn't broken up with her boyfriend; or that man had set his alarm and got up five minutes earlier; or that taxi driver hadn't stopped for a cup of coffee; or that woman had remembered her coat, and got into an earlier cab, Daisy and her friend would've crossed the street, and the taxi would've driven by. But life being what it is - a series of intersecting lives and incidents, out of anyone's control - that taxi did not go by, and that driver was momentarily distracted, and that taxi hit Daisy, and her leg was crushed.
本杰明·巴顿：如果只有那么一件事情，并没有按原来发生的话，如果那个鞋带没有断掉；或者如果那辆货车提前几分钟开走；如果那个商品早早就被包装好，因为她没有和他的男朋友分手；如果那个男人的闹钟提前上了五分钟；如果那个司机没有停下来去喝杯咖啡；如果那个女人没有忘记她的大衣，而坐上了早一班的出租车，黛西和她的朋友就将穿过马路，出租车也只会擦肩而过。但是生活就是这么不可预测，在一系列的交错层叠的人与事中，没有谁能掌控它们，而出租车没有碰巧开过去，那个司机也有些精力不集中，那个出租车还是撞到了黛西，她的腿被撞伤了。
希望能帮到你哦~~
⑩ 一两分钟的简单电影独白（英文）
《海上钢琴师》 经典独白作者：艾略特（Thomas Stearns Eliot）
国籍：英国 This is the way the world ends
Not with a bang but a whimper
——T·S·Eliot
All that city. You just couldn't see the end to it. The end? Please? You please just show me where it ends? It was all very fine on that gangway. And I was grand too, in my overcoat. I cut quite a figure. And I was getting off. Guaranteed. There was no problem. It wasn't what I saw that stopped me, Max. It was what I didn't see. You understand that? What I didn't see. In all that sprawling city there was everything except an end. There was no end. What I did not see was where the whole thing came to an end. The end of the world...
Take a piano. The keys begin, the keys end. You know there are eightyeight of them, nobody can tell you any different. They are not infinite. You are infinite. And on these keys the music that you can make is infinite. I like that. That I can live by.
You get me up on that gangway and you're rolling out in front of me a keyboard of millions of keys, millions and billions of keys that never end, and that's the truth, Max. That they never end. That keyboard is infinite. And if that keyboard is infinite, then on that keyboard there is no music you can play. You're sitting on the wrong bench. That's God's piano.
Christ! Did, did you see the streets? Just the streets… There were thousands of them! And how do you do it down there? How do you choose just one? One woman, one house, one piece of land to call your own, one landscape to look at, one way to die...
All that world is weighing down on me, you don't even know where it comes to an end, and aren't you ever just scared of breaking apart at the thought of it? The enormity of living it?
I was born on this ship, and the world passed me by, but two thousand people at a time. And there were wishes here, but never more than fit between prow and stern. You played out your happiness, but on a piano that was not infinite. I learned to live that way.
Land? Land is a ship too big for me. It's a woman too beautiful; it's a voyage too long, a perfume too strong. It's a music I don't know how to make. I could never get off this ship. At best, I can step off my life. After all, I don't exist for anyone. You're an exception, Max, you're the only one who knows I'm here. You're a minority, and you better get used to it. Forgive me, my friend, but I'm not getting off.
艾略特
译文：
所有那些城市，你就是无法看见尽头。尽头？拜托！拜托你给我看它的尽头在哪？当时，站在舷梯向外看还好。我那时穿着大衣，感觉也很棒，觉得自己前途无量，然后我就要下船去。放心！完全没问题！可是，阻止了我的脚步的，并不是我所看见的东西，而是我所无法看见的那些东西。你明白么？我看不见的那些。在那个无限蔓延的城市里，什么东西都有，可惟独没有尽头。根本就没有尽头。我看不见的是这一切的尽头，世界的尽头。
拿一部钢琴来说，从琴键开始，又结束。你知道钢琴只有88个键，随便什么琴都没差。它们不是无限的。你才是无限的，在琴键上制作出的音乐是无限的。我喜欢这样，我活的惯。
你把我推到舷梯上然后扔给我一架有百万琴键的钢琴，百万千万的没有尽头的琴键，那是事实，max，它们没有尽头。那键盘是无限延伸的。然而如果琴键是无限的，那么在那架琴上就没有你能弹奏的音乐，你坐错了地方，那是上帝的钢琴。
天啊！你……你看过那些街道吗？仅仅是街道，就有上千条！你下去该怎么办？你怎么选择其中一条来走？怎么选择“属于你自己的”一个女人，一栋房子，一块地，或者选择一道风景欣赏，选择一种方法死去。
那个世界好重，压在我身上。你甚至不知道它在哪里结束，你难道从来不为自己生活在无穷选择里而害怕得快崩溃掉吗？
我是在这艘船上出生的，整个世界跟我并肩而行，但是，行走一次只携带两千人。这里也有欲望，但不会虚妄到超出船头和船尾。你用钢琴表达你的快乐，但音符不是无限的。我已经习惯这么生活。
陆地？陆地对我来说是一艘太大的船，一个太漂亮的女人，一段太长的旅行，一瓶太刺鼻的香水，一种我不会创作的音乐。我永远无法放弃这艘船，不过幸好，我可以放弃我的生命。反正没人记得我存在过，而你是例外，max，你是唯一一个知道我在这里的人。你是唯一一个，而且你最好习惯如此。原谅我，朋友，我不会下船的。