英語電影觀後感八百字

Ⅰ 求一篇英語電影的英文影評，600字~800字，答好給20

《卡特教頭》這部電影你看過沒有？Coach Carter，講籃球教練的，我搞了篇你看看
"Coach Carter" is inspired by the true story of Ken Carter (Samuel L. Jackson), a controversial California high school basketball coach who took a bunch of unruly underachievers and not only made them contenders but taught them how to find the "victory within."

But while the movie's motivational message is patently praiseworthy, the game it runs across the screen, for well over two hours, is so full of familiar moves from the likes of "Stand and Deliver," "Hoosiers" and "Remember the Titans" that it finally inces more fidgeting than cheers.

Thank goodness then for go-to guy Jackson. He takes what could have been a cardboard clichŽ role and puts flesh on it with his flamboyant intelligence, some sharp speeches and, of course, that castigating stare. In fact, when he first confronts the Richmond High Oilers players in the gym, calling them out as "young sirs," there are great glimmers of his "Pulp Fiction" character, Jules Winnfield, reciting Ezekiel's prophecy of wrath against the Philistines.

Also skilled is the young ensemble cast, including Robert, Ri'chard (who plays Carter's son), Rob Brown, Antwon Tanner, and Rick Gonzalez. They come together to portray a group of impoverished student athletes with a combination of sensitivity and street-smart surliness. Their often profane repartee, peppered with racial epithets and shrewd slurs, shines as the truest part of the script. And singer-songwriter Ashanti makes her acting debut with a thoroughly natural performance as the pregnant girlfriend of one of the players.

What doesn't work is the plodding pace director Thomas Carter ("Save the Last Dance") sets. The story line builds to the moment when Carter antagonizes the community by padlocking the doors to the gym and benching the entire undefeated team because some of the players haven't fulfilled their written contract to keep up their grades. And then it goes on and on from there, losing its momentum and dramatic tension in several tired subplots and at least one too many basketball games decided at the buzzer.
Samuel L. Jackson made news last week by refusing to co-star with 50 Cent in a movie based on the rapper's life. He not only refused, but did it publicly, even though the film is to be directed by six-time Oscar nominee Jim Sheridan ("In America"). A clue to Jackson's thinking may be found in his new film, "Coach Carter," based on the true story of a California high school basketball coach who placed grades ahead of sports. Like Bill Cosby, Jackson is arguing against the anti-intellectual message that success for young black males is better sought in the worlds of rap and sports than in the classroom.

There is however another aspect to Jackson's refusal: He said he thought Sheridan wanted him to "lend legitimacy" to 50 Cent's acting debut. He might have something there. Jackson has an authority on the screen; he occupies a character with compelling force, commanding attention and can bring class to a movie. He might, he said, be interested in working with 50 Cent after the rapper makes another five movies or so, and earns his chops.

This reasoning may not be fair. Consider the work that Ice Cube did in "Boyz N the Hood" (1991), his first movie and the beginning of a successful acting career. Or look at the promise that Tupac Shakur showed, especially in his last feature, "Gridlock'd" (1997), holding his own with the veteran Tim Roth. Maybe 50 Cent has the stuff to be an actor. Maybe not. Jackson's decision may have more to do with the underlying values of the rapper's life; he may not consider 50 Cent's career, so often involving violent episodes, to be much of a role model.

Role models are what "Coach Carter," Jackson's new film, is all about. He plays Ken Carter, who began as a sports star at Richmond (California) High School, setting records that still stand, and then had success in the military and as a small businessman. He's asked to take over as basketball coach, an unpaid volunteer position; the former coach tells him, "I can't get them to show up for school." Ken Carter thinks he can fix that.

The movie was directed by Thomas Carter ("Save the Last Dance"), no relation to the coach. It follows long-established genre patterns; it's not only a sports movie with the usual big games and important shots, but also a coach movie, with inspiring locker room speeches and difficult moral decisions. There are certain parallels with "Friday Night Lights," although there it's the movie itself, and not the coach, that underlines the futility of high school stars planning on pro sports as a career.

Certainly both movies give full weight to public opinion in the communities where they're set -- places where the public's interest in secondary ecation seems entirely focused on sports, where coaches are more important than teachers, where scores are more important than grades.

Coach Carter wants to change all that. He walks into a gymnasium ruled by loud, arrogant, disrespectful student jocks, and commands attention with the fierceness of his attitude. He makes rules. He requires the students to sign a contract, promising to maintain a decent grade-point average as the price of being on the team. He deals with the usual personnel problems; a star player named Kenyon Stone (Ron Brown) has a pregnant girlfriend named Kyra (R&B singer Ashanti, in her, ahem, first role), and she sees a threat to her future in Carter's determination to get his players into college.

Ken Carter's most dramatic decision, which got news coverage in 1999, was to lock the gymnasium, forfeit games and endanger the team's title chances after some of his players refused to live up to the terms of the contract. The community of course was outraged that a coach would put grades above winning games; for them, the future for the student athletes lies in the NBA, not ecation.

Given the odds against making it in the NBA (dramatically demonstrated in the great documentary "Hoop Dreams"), this reasoning is like considering the lottery a better bet than working for a living.

Jackson has the usual big speeches assigned to all coaches in all sports movies, and delivers on them, big time. His passion makes familiar scenes feel new. "I see a system that's designed for you to fail," he tells his players, pointing out that young black men are 80 percent more likely to go to prison than to go to college. The movie's closing credits indicate that six of the team members did go on to college, five with scholarships. Lives, not games, were won.
從劇情本身，到主演Samuel Jackson的分析，很到位了，你可以用用；當然這部電影也不錯你可以有空看看，打字打得累死了，嘿嘿；新年快樂啊

Ⅱ 英語電影5篇觀後感60～80字

觀後感，就是看了一部影片或連續劇後，把具體感受和得到的啟示寫成的文章。所謂「感」，可以是從作品中領悟出來的道理或精湛的思想，可以是受作品中的內容啟發而引起的思考與聯想，可以是因觀看而激發的決心和理想，也可以是因觀看而引起的對社會上某些丑惡現象的抨擊。觀後感的表達方式靈活多樣，基本屬於議論范疇，但寫法不同於一般議論文，因為它必須是在觀看後的基礎上發感想。--------摘自網路。
Today I am sharing a movie with the name XXXXX. This is a movie with a very simple story structure that is very thought-provoking. The content of the story is (此處需要簡要描述一下故事內容，約1-2句話即可). I feel very touched. (假設是一部講親情的文藝片) Anyone, be it a small person or a big person, be it a good person or a wicked person, can get a sublimation of the soul in the face of the strongest love of his loved ones. Everything in the world is mortal.（最後的部分用一兩句話來表達下感想即可）
以上示例僅供參考，希望有幫助，謝謝。

Ⅲ 英語電影觀後感作文

肖申克的救贖 Andy Dufresne，一個永垂電影史冊的名字。

1

關於《The Shawshank Redemption》的評論，太多，該說的差不多都已說了千萬遍。對於這樣一個熱門的話題，再想要抒發一些個人的喜愛之情，不免有拾人牙慧之嫌。為了避免這樣沒新意的事情發生，許多單詞我就不再提了，譬如「希望」，譬如「自由」。當然，這些都是很好很好的，也是可以第一時間從電影里感受到的。

那麼，我先說說我曾經感受到過的另一個單詞，「理性」。安迪的勝利是理性的勝利，安迪的成功是理性的成功。無論面臨怎樣的局面，順境也好，逆境也罷，他都不動聲色，默默地審時度勢，做他能做的努力，以達成自己的目標。

這是一種偉大的才華！

人類是感性的動物，時常受到情緒的支配，這是人之常情。面對殘酷的環境，人本能的反應便是奮力抗爭，而當這個環境惡劣到一定的程度時，人的抗爭之心就會慢慢被消磨殆盡，成為行屍走肉。這兩種情況，都是在許多文學影視作品中可以看到的。

肖申克的囚犯也大都如此。在入獄之前，他們想必大都是目無法紀為非作歹的凶徒，人性中叛逆抗爭的一面應該比常人要猛烈得多。但是長期被囚禁的生活，對權威的恐懼，對未來的絕望，對體制的順應，使他們逐漸成為了去掉獠牙的狼。但沖動的血性並沒有消失，囚犯之間時不時地爭斗，「三姐妹」的恃強凌弱，都是證明。但，這一切都臣服於肖申克的石牆之內。就像馴服的狼被一起圈禁在鐵柵欄中，也會彼此斗毆撕咬。這是動物的本性，也是人類的本性。

安迪的偉大之處，便在於他超越了這種本性，在它上方數萬英里高空的地方，用人類的理性俯視著這一切。典獄長的冷酷，獄警的殘暴，「三姐妹」的獸欲，他當然從心底里反抗。他的抗爭看起來如此虛弱無力，但卻如此又堅定持久。他在用他的智慧和理性反抗這一切。有的時候，他看似已經忍氣吞聲，但很快我又欣喜地發現，他始終不曾屈服。當「三姐妹」強迫他口交的時候，他一番心平氣和的敘述讓對方無計可施；同樣的，當獄警頭子惡狠狠的要將他推下屋頂之時，他仍是面不改色地說出一番話來，立刻說服了對方。面目猙獰窮凶極惡的是他們，但真正咄咄逼人的，卻是他。

老瑞德曾經看錯了安迪，以為他只是一個普通的知識分子，沒有霸氣，沒有血性，是個軟弱的人。沒錯，安迪沒有張揚的鋒芒，人性中野蠻與粗暴的一面，在他體內都已凝煉成了理性，從而爆發出更加巨大的能量。

我想，瑞德一定慶幸他輸掉了那兩包煙。

2

接著我想說的是，「毅力」。這個力量或許和前面所說的「理性」有些關聯。

人都有一時沖動的時候，那一刻會爆發出平常所沒有的力量，叫做爆發力。對短跑運動員來說，爆發力很重要。然而那一刻爆發的力量是有限的，它會被一種叫做時間的東西消磨。這個力量來自於人的本能，像頑石一樣不經琢磨。

而「毅力」卻是琢磨而出的。時間不斷的腐蝕它，而理性不斷的加固它。這是一場艱苦卓絕的拉鋸戰。

安迪可以堅持每天挖掘石洞，挖了近二十年；可以每周寫一封信，後來每周寫兩封信，直到州政府給了回應，資助他建立起圖書館；可以穿越長達五百米的惡臭骯臟的下水道，逃離肖申克。這樣的毅力不只是可敬可佩，簡直是可怖。

我沒有毅力。我只會被時間消磨成一堆灰，一堆沙，而安迪卻被琢磨成了鑽石。他讓我激動，是因為他身上的「理性」和「毅力」是我所沒有的。

我推想安迪從哪一天開始生起了挖洞逃生的念頭。也許是他刻下名字的那一刻，他發現石牆的質地松動，可能使他成功，於是他開始奮斗。但我想，這個念頭一定在那之前就有，一定是這種想要擺脫困境的念頭，與他百折不撓的精神，使他成為一個出色的銀行家。而後，使他成為一個出色的逃犯。接著，在電影結束之後，他必將成為一個出色的開拓者。

3

瑞德說，你不是罪犯，也許，不是個好丈夫。安迪卻不這么認為，他痛心疾首，認為是他的性格害了他的妻子。他很愛她，但是不善於表達，她說他就像一本闔上的書，永遠不知道他在想什麼。

其實從電影一開始，我就明白了為什麼安迪的妻子會紅杏出牆。當然，他很出色，他不只是有才華，還有一種奇妙的人格魅力。但是這不是愛情的基礎，起碼，他的妻子並不因此而愛他。

有人說這是部「男人必看」的電影，我想除了因為這部電影宣揚了理性、希望、奮斗之外，還因為其中有一種男人之間的友情。安迪的魅力沒有吸引到他的妻子，卻深深吸引了他身邊的囚犯兄弟，特別是瑞德。

瑞德是個老大哥般的人物，慷慨任俠，老成世故，頗有頭腦。他在監獄里法力無邊，若不是最初他幫助安迪搞到了許多工具，安迪也無法完成越獄的奇跡。

安迪心中明白「體制化」對瑞德的影響，他們曾在一次談話中提到希望，於是引出了這部電影最經典的兩句台詞：「希望，是好事，甚至也許是人間至善。而美好的事永不消失。」「要麼趕著去生活，要麼趕著去死。」然而在監獄里生活了三十年的瑞德，怎麼可能僅僅被這兩句話而挽救呢？他可能會走Brook的老路。

於是安迪為瑞德安排了一件事，或者說，為他打造了一個夢想。當瑞德從絕望和恐懼中走出來，走向那棵巨大的橡樹，走向碧海藍天的時候，我徹底被安迪折服了。他用智慧拯救了他自己，又用智慧拯救了他的朋友。說得好聽點，他給了瑞德一個叫做「希望」的東西，通俗點說，他讓瑞德有點事情做做，讓他「趕著去生活」。要做到這點，光有美好的願望和深厚的友情是不夠的，還有智慧，對人性的洞察。

安迪的這一招，非常像程靈素，她也是以她的感情與智慧，救了胡斐的命，最關鍵是，給了他活下去的理由。不能怪胡斐不愛她，就好像不能怪安迪的妻子不愛她一樣，他們的智慧和人格魅力，也許只有站在朋友的立場才能夠欣賞。許多男讀者愛程靈素，應該也只是把她引為一位異性知己吧。

5

Andy Dufresne，他的智慧戰勝了漏洞百出的制度；他的理性戰勝了野蠻狂暴的本能；他的意志戰勝了冷酷無情的時間；他戰勝了肖申克的石牆；他戰勝了他自己；他戰勝了一切。

他戰勝了一切，卻輸給了，Forrest Gump。

Ⅳ 求三篇英文電影的觀後感 用英語寫（30詞）

電影《阿甘正傳》觀後感：

Last night,I saw a great film,Forrest Gump.I am greatly impressed by this film,by the stories of Forrest Gump.Forrest Gump was born in a small village.He was born mentally retarded,and he was discriminated by others.But his mother is a strong female who encourages Gump to be strong and live the same as normal people.

《阿甘正傳》是由羅伯特·澤米吉斯執導的電影，由湯姆·漢克斯、羅賓·懷特等人主演，於1994年7月6日在美國上映。

電影改編自美國作家溫斯頓·格盧姆於1986年出版的同名小說，描繪了先天智障的小鎮男孩福瑞斯特·甘自強不息，最終「傻人有傻福」地得到上天眷顧，在多個領域創造奇跡的勵志故事。電影上映後，於1995年獲得奧斯卡最佳影片獎、最佳男主角獎、最佳導演獎等6項大 。

2014年9月5日，在該片上映20周年之際，《阿甘正傳》IMAX版本開始在全美上映。

Ⅳ 英文電影觀後感80字

豆瓣上有的是，這是《肖申克的救贖》
原文貼地址下面了
Every
film
is
famous
for
a
reason.
I
thought
for
a
moment
and
decided
that
maybe
I
should
write
it
in
English
to
better
state
my
point.
The
Shawshank
Redemption
is
a
glamourous
film.
Every
character
in
it
is
commendable.
Those
prisoners,
innocent
or
not
,most
of
therm
spent
two
thirds
of
their
lives
in
that
closed
damed
Shawshank
Prison.
As
Red
said
they've
become"institutionalized".
They
find
life
meaningless
outside
the
prison.
Old
Brook
and
Red
experienced
the
same
outside
the
prison.
They
even
thought
likewise:
They
want
to
go
back
to
"where
they
belong
",
they
can't
enre
the
life
outside,
in
which
they
find
themselves
useless.
They
want
to
commit
a
crime
so
that
they
can
back
and
they
both
think
of
suicide.
Brook
did
commit
suicide
while,
Red
with
his
unrealised
promise
to
Andy,
choosed
to
live.
"Get
busy
living
or
get
busy
dying."
Being
insititutionalized
is
terrible
and
awful.
That
is
a
man
without
his
own
will,without
his
bright
life,
a
man
of
no
hope.
Andy
crawled
to
light
through
500
yards
of
shit-smelling
foulness
that
a
normal
man
can't
even
imagine.
Through
that
unbearable
500
yards,
he
earned
his
freedom.
He
embraced
the
whole
bright
big
outside
world
that
he
had
dreamed
of
going
back
to
for
20
years.
He
smiled
in
the
pouring
rain
and
lightening.
That
moment
I
saw
a
man
of
his
totally
free
will.
That
scene
reminds
me
of
wallace
in
film
Brave
Heart,
at
the
last
moment
of
his
glorious
life,
sceaming
out
"freedom".
Though
he
died
the
next
moment
,he
still
earned
his
freedom,
his
entire
eternal
freedom
cried
out
with
his
hope
for
his
man,his
country.
As
Andy
said,"Hope
is
a
good
thing
,maybe
the
best
of
things,
and
no
good
thing
ever
dies."
Hope
is
what
leads
them
to
a
dream
of
freedom
and
finally
,to
the
reality
of
freedom.
需要三篇嗎？http://movie.douban.com/review/2456392/
《這個殺手不太冷》
http://movie.douban.com/review/4901150/
《十二怒漢》
咱英文水平有限
內容也沒咋看
你好歹過過，刪刪改改的，最主要是
這幾部片要看下，我選的都是經典名片

Ⅵ 英文觀後感80字

電影哈利波特的情節觀後感：

Harry Potter is a series of seven fantasy novels written by British author J. K. Rowling. The books chronicle the adventures of the eponymous adolescent wizard Harry Potter, together with Ron Weasley and Hermione Granger, his best friends.

The central story arc concerns Harry's struggle against the evil wizard Lord Voldemort, who killed Harry's parents in his quest to conquer the wizarding world, after which he seeks to subjugate the Muggle (non-magical) world to his rule.

翻譯：

《哈利波特》是由英國作家J。K羅琳。這本書記錄了同名的少年巫師哈利·波特和他的好朋友羅恩·韋斯萊和赫敏·格蘭傑的冒險經歷。

故事的中心是哈利與邪惡巫師伏地魔的斗爭，伏地魔在征服巫師世界的過程中殺死了哈利的父母，之後他試圖征服麻瓜（非魔法）世界。

英語翻譯技巧：

1、省略翻譯法

這與最開始提到的增譯法相反，就是要求你把不符合漢語，或者英語的表達的方式、思維的習慣或者語言的習慣的部分刪去，以免使所翻譯出的句子沉雜累贅。

2、合並法

合並翻譯法就是把多個短句子或者簡單句合並到一起，形成一個復合句或者說復雜句，多出現在漢譯英的題目里出現，比如最後會翻譯成定語從句、狀語從句、賓語從句等等。

Ⅶ 英語原版電影觀後感

英文電影:阿甘正傳觀後感：

阿甘有自己的堅持，他不斷地跑步，JUST RUNS. 他跑步不為任何理由。他說:"人要往前看，千萬不要被過去拖累。我想我跑步就是這個意義」和過去告別，不停留在原處。也許這世界上太多人隨撥逐流，很少人會堅持做一件事，阿甘堅持自己的堅持，於是他成了「神」。

影片中還有一位主要人物是上校丹。他在越南戰爭中失去了雙腿。他說他的命運就是戰死。然而阿甘卻救他，讓他活了下來。失去雙腿後他開始憎恨生活，生活得很頹廢，責怪阿甘當初救了他。然而當他調整心態，去和阿甘一起捕魚生活，有了收獲後，開始感覺到生活的美好。感謝阿甘當初就了他。

影片試圖通過這個角色告訴觀者生活總是美好的。烏雲後有彩虹，絕境後有重生。關鍵是看我們給不給自己一個好心態，一個機會去改變不好的現狀。影片試圖向觀者傳達這樣一個信息：或許做好我們該做的每一件事，生活就會給我們一個好的回饋。只要有一種堅持就會出現一個奇跡。

(7)英語電影觀後感八百字擴展閱讀：

觀後感教學示例：

看了《虎門銷煙》後，學生認為無法聯系實際，我就這樣啟發學生：你看後印象最深的是哪個鏡頭?有的說林則徐帶領官兵虎門銷煙的鏡頭，大展中國人的志氣；有的說，當時的清朝政府的腐敗無能給我教育最深；

有的說我印象最深的是那些受鴉片毒害，痿糜不振的、瘦骨嶙峋的人們。然後我再要求學生用比較法，針對現今社會，看是否有類似於林則徐這樣有民族氣節或與此相反的人。

什麼東西給現今人們帶來精神和身體摧殘?我們應該如何對待?這樣，學生馬上想到了電視上披露有的海關把關不嚴，讓一些走私物品進入中國，有的想到了社會上的吸毒現象和不健康的游樂場所，同學們暢所欲語，彷彿一下子有話可寫了；

一個同學在《觀林則徐有感》一文中這樣寫到：「……在18世紀，鴉片使我們國敗家亡，但可悲的是在二十世紀的今天，吸毒的現象又有抬頭，有的因吸毒走向犯罪，家破人亡.我們青少年一定要認識它的危害，如發現吸毒、販毒現象要立即向公安機關報告，同時希望我們的海關把住家門，不讓毒品再次蔓延……」

Ⅷ 5篇100字左右的英文電影的觀後感，要用英語啊

《阿甘正傳》觀後感：

To be honest, Ive never seen anyone like Forrest Gump in a movie before.Forrest Gump who is unfortunately to be born with a lower IQ and the muscle problem, usually, people always think this kind of person cant be successful in doing anything. But, instead, this unlucky man has achieved lots of incredible success, he is a football star, a war hero, and later a millionaire!

Forrest Gump not only shares his innocence and purity with others, ,he also manages to retain that innocence through some very difficult times. I love Forrest that he doesnt lose his purity through the movie, or maybe he just cant ,but either way, this shows us dont need to be evil or really intelligent to be recognised or successful.

It is just a movie, so maybe it doesnt work like that in reality.A simply means is that the acting and story of this film got a high level like the real . And in my definition thats what a good movie should be able to do.

譯文

老實說，我以前從未在電影中見過像阿甘那樣的人。阿甘不幸地天生智商較低，而且有肌肉問題，通常人們總是認為這種人做任何事情都不會成功。但是，相反，這個不幸的人取得了許多令人難以置信的成功，他是一個足球明星，一個戰爭英雄，後來成了百萬富翁！

阿甘不僅與他人分享他的純真和純潔，他還設法在一些非常困難的時期保持這種純真。我喜歡福勒斯特，因為他沒有在電影中失去他的純潔，或者也許他就是不能，但不管怎樣，這表明我們不需要邪惡或真正的智慧才能被認可或成功。

這只是一部電影，所以在現實中可能不是這樣的。一個簡單的方法是這部電影的表演和故事達到了真實的高度。根據我的定義，這就是一部好電影應該能做到的。