英语电影观后感八百字

Ⅰ 求一篇英语电影的英文影评，600字~800字，答好给20

《卡特教头》这部电影你看过没有？Coach Carter，讲篮球教练的，我搞了篇你看看
"Coach Carter" is inspired by the true story of Ken Carter (Samuel L. Jackson), a controversial California high school basketball coach who took a bunch of unruly underachievers and not only made them contenders but taught them how to find the "victory within."

But while the movie's motivational message is patently praiseworthy, the game it runs across the screen, for well over two hours, is so full of familiar moves from the likes of "Stand and Deliver," "Hoosiers" and "Remember the Titans" that it finally inces more fidgeting than cheers.

Thank goodness then for go-to guy Jackson. He takes what could have been a cardboard clichŽ role and puts flesh on it with his flamboyant intelligence, some sharp speeches and, of course, that castigating stare. In fact, when he first confronts the Richmond High Oilers players in the gym, calling them out as "young sirs," there are great glimmers of his "Pulp Fiction" character, Jules Winnfield, reciting Ezekiel's prophecy of wrath against the Philistines.

Also skilled is the young ensemble cast, including Robert, Ri'chard (who plays Carter's son), Rob Brown, Antwon Tanner, and Rick Gonzalez. They come together to portray a group of impoverished student athletes with a combination of sensitivity and street-smart surliness. Their often profane repartee, peppered with racial epithets and shrewd slurs, shines as the truest part of the script. And singer-songwriter Ashanti makes her acting debut with a thoroughly natural performance as the pregnant girlfriend of one of the players.

What doesn't work is the plodding pace director Thomas Carter ("Save the Last Dance") sets. The story line builds to the moment when Carter antagonizes the community by padlocking the doors to the gym and benching the entire undefeated team because some of the players haven't fulfilled their written contract to keep up their grades. And then it goes on and on from there, losing its momentum and dramatic tension in several tired subplots and at least one too many basketball games decided at the buzzer.
Samuel L. Jackson made news last week by refusing to co-star with 50 Cent in a movie based on the rapper's life. He not only refused, but did it publicly, even though the film is to be directed by six-time Oscar nominee Jim Sheridan ("In America"). A clue to Jackson's thinking may be found in his new film, "Coach Carter," based on the true story of a California high school basketball coach who placed grades ahead of sports. Like Bill Cosby, Jackson is arguing against the anti-intellectual message that success for young black males is better sought in the worlds of rap and sports than in the classroom.

There is however another aspect to Jackson's refusal: He said he thought Sheridan wanted him to "lend legitimacy" to 50 Cent's acting debut. He might have something there. Jackson has an authority on the screen; he occupies a character with compelling force, commanding attention and can bring class to a movie. He might, he said, be interested in working with 50 Cent after the rapper makes another five movies or so, and earns his chops.

This reasoning may not be fair. Consider the work that Ice Cube did in "Boyz N the Hood" (1991), his first movie and the beginning of a successful acting career. Or look at the promise that Tupac Shakur showed, especially in his last feature, "Gridlock'd" (1997), holding his own with the veteran Tim Roth. Maybe 50 Cent has the stuff to be an actor. Maybe not. Jackson's decision may have more to do with the underlying values of the rapper's life; he may not consider 50 Cent's career, so often involving violent episodes, to be much of a role model.

Role models are what "Coach Carter," Jackson's new film, is all about. He plays Ken Carter, who began as a sports star at Richmond (California) High School, setting records that still stand, and then had success in the military and as a small businessman. He's asked to take over as basketball coach, an unpaid volunteer position; the former coach tells him, "I can't get them to show up for school." Ken Carter thinks he can fix that.

The movie was directed by Thomas Carter ("Save the Last Dance"), no relation to the coach. It follows long-established genre patterns; it's not only a sports movie with the usual big games and important shots, but also a coach movie, with inspiring locker room speeches and difficult moral decisions. There are certain parallels with "Friday Night Lights," although there it's the movie itself, and not the coach, that underlines the futility of high school stars planning on pro sports as a career.

Certainly both movies give full weight to public opinion in the communities where they're set -- places where the public's interest in secondary ecation seems entirely focused on sports, where coaches are more important than teachers, where scores are more important than grades.

Coach Carter wants to change all that. He walks into a gymnasium ruled by loud, arrogant, disrespectful student jocks, and commands attention with the fierceness of his attitude. He makes rules. He requires the students to sign a contract, promising to maintain a decent grade-point average as the price of being on the team. He deals with the usual personnel problems; a star player named Kenyon Stone (Ron Brown) has a pregnant girlfriend named Kyra (R&B singer Ashanti, in her, ahem, first role), and she sees a threat to her future in Carter's determination to get his players into college.

Ken Carter's most dramatic decision, which got news coverage in 1999, was to lock the gymnasium, forfeit games and endanger the team's title chances after some of his players refused to live up to the terms of the contract. The community of course was outraged that a coach would put grades above winning games; for them, the future for the student athletes lies in the NBA, not ecation.

Given the odds against making it in the NBA (dramatically demonstrated in the great documentary "Hoop Dreams"), this reasoning is like considering the lottery a better bet than working for a living.

Jackson has the usual big speeches assigned to all coaches in all sports movies, and delivers on them, big time. His passion makes familiar scenes feel new. "I see a system that's designed for you to fail," he tells his players, pointing out that young black men are 80 percent more likely to go to prison than to go to college. The movie's closing credits indicate that six of the team members did go on to college, five with scholarships. Lives, not games, were won.
从剧情本身，到主演Samuel Jackson的分析，很到位了，你可以用用；当然这部电影也不错你可以有空看看，打字打得累死了，嘿嘿；新年快乐啊

Ⅱ 英语电影5篇观后感60～80字

观后感，就是看了一部影片或连续剧后，把具体感受和得到的启示写成的文章。所谓“感”，可以是从作品中领悟出来的道理或精湛的思想，可以是受作品中的内容启发而引起的思考与联想，可以是因观看而激发的决心和理想，也可以是因观看而引起的对社会上某些丑恶现象的抨击。观后感的表达方式灵活多样，基本属于议论范畴，但写法不同于一般议论文，因为它必须是在观看后的基础上发感想。--------摘自网络。
Today I am sharing a movie with the name XXXXX. This is a movie with a very simple story structure that is very thought-provoking. The content of the story is (此处需要简要描述一下故事内容，约1-2句话即可). I feel very touched. (假设是一部讲亲情的文艺片) Anyone, be it a small person or a big person, be it a good person or a wicked person, can get a sublimation of the soul in the face of the strongest love of his loved ones. Everything in the world is mortal.（最后的部分用一两句话来表达下感想即可）
以上示例仅供参考，希望有帮助，谢谢。

Ⅲ 英语电影观后感作文

肖申克的救赎 Andy Dufresne，一个永垂电影史册的名字。

1

关于《The Shawshank Redemption》的评论，太多，该说的差不多都已说了千万遍。对于这样一个热门的话题，再想要抒发一些个人的喜爱之情，不免有拾人牙慧之嫌。为了避免这样没新意的事情发生，许多单词我就不再提了，譬如“希望”，譬如“自由”。当然，这些都是很好很好的，也是可以第一时间从电影里感受到的。

那么，我先说说我曾经感受到过的另一个单词，“理性”。安迪的胜利是理性的胜利，安迪的成功是理性的成功。无论面临怎样的局面，顺境也好，逆境也罢，他都不动声色，默默地审时度势，做他能做的努力，以达成自己的目标。

这是一种伟大的才华！

人类是感性的动物，时常受到情绪的支配，这是人之常情。面对残酷的环境，人本能的反应便是奋力抗争，而当这个环境恶劣到一定的程度时，人的抗争之心就会慢慢被消磨殆尽，成为行尸走肉。这两种情况，都是在许多文学影视作品中可以看到的。

肖申克的囚犯也大都如此。在入狱之前，他们想必大都是目无法纪为非作歹的凶徒，人性中叛逆抗争的一面应该比常人要猛烈得多。但是长期被囚禁的生活，对权威的恐惧，对未来的绝望，对体制的顺应，使他们逐渐成为了去掉獠牙的狼。但冲动的血性并没有消失，囚犯之间时不时地争斗，“三姐妹”的恃强凌弱，都是证明。但，这一切都臣服于肖申克的石墙之内。就像驯服的狼被一起圈禁在铁栅栏中，也会彼此斗殴撕咬。这是动物的本性，也是人类的本性。

安迪的伟大之处，便在于他超越了这种本性，在它上方数万英里高空的地方，用人类的理性俯视着这一切。典狱长的冷酷，狱警的残暴，“三姐妹”的兽欲，他当然从心底里反抗。他的抗争看起来如此虚弱无力，但却如此又坚定持久。他在用他的智慧和理性反抗这一切。有的时候，他看似已经忍气吞声，但很快我又欣喜地发现，他始终不曾屈服。当“三姐妹”强迫他口交的时候，他一番心平气和的叙述让对方无计可施；同样的，当狱警头子恶狠狠的要将他推下屋顶之时，他仍是面不改色地说出一番话来，立刻说服了对方。面目狰狞穷凶极恶的是他们，但真正咄咄逼人的，却是他。

老瑞德曾经看错了安迪，以为他只是一个普通的知识分子，没有霸气，没有血性，是个软弱的人。没错，安迪没有张扬的锋芒，人性中野蛮与粗暴的一面，在他体内都已凝炼成了理性，从而爆发出更加巨大的能量。

我想，瑞德一定庆幸他输掉了那两包烟。

2

接着我想说的是，“毅力”。这个力量或许和前面所说的“理性”有些关联。

人都有一时冲动的时候，那一刻会爆发出平常所没有的力量，叫做爆发力。对短跑运动员来说，爆发力很重要。然而那一刻爆发的力量是有限的，它会被一种叫做时间的东西消磨。这个力量来自于人的本能，像顽石一样不经琢磨。

而“毅力”却是琢磨而出的。时间不断的腐蚀它，而理性不断的加固它。这是一场艰苦卓绝的拉锯战。

安迪可以坚持每天挖掘石洞，挖了近二十年；可以每周写一封信，后来每周写两封信，直到州政府给了回应，资助他建立起图书馆；可以穿越长达五百米的恶臭肮脏的下水道，逃离肖申克。这样的毅力不只是可敬可佩，简直是可怖。

我没有毅力。我只会被时间消磨成一堆灰，一堆沙，而安迪却被琢磨成了钻石。他让我激动，是因为他身上的“理性”和“毅力”是我所没有的。

我推想安迪从哪一天开始生起了挖洞逃生的念头。也许是他刻下名字的那一刻，他发现石墙的质地松动，可能使他成功，于是他开始奋斗。但我想，这个念头一定在那之前就有，一定是这种想要摆脱困境的念头，与他百折不挠的精神，使他成为一个出色的银行家。而后，使他成为一个出色的逃犯。接着，在电影结束之后，他必将成为一个出色的开拓者。

3

瑞德说，你不是罪犯，也许，不是个好丈夫。安迪却不这么认为，他痛心疾首，认为是他的性格害了他的妻子。他很爱她，但是不善于表达，她说他就像一本阖上的书，永远不知道他在想什么。

其实从电影一开始，我就明白了为什么安迪的妻子会红杏出墙。当然，他很出色，他不只是有才华，还有一种奇妙的人格魅力。但是这不是爱情的基础，起码，他的妻子并不因此而爱他。

有人说这是部“男人必看”的电影，我想除了因为这部电影宣扬了理性、希望、奋斗之外，还因为其中有一种男人之间的友情。安迪的魅力没有吸引到他的妻子，却深深吸引了他身边的囚犯兄弟，特别是瑞德。

瑞德是个老大哥般的人物，慷慨任侠，老成世故，颇有头脑。他在监狱里法力无边，若不是最初他帮助安迪搞到了许多工具，安迪也无法完成越狱的奇迹。

安迪心中明白“体制化”对瑞德的影响，他们曾在一次谈话中提到希望，于是引出了这部电影最经典的两句台词：“希望，是好事，甚至也许是人间至善。而美好的事永不消失。”“要么赶着去生活，要么赶着去死。”然而在监狱里生活了三十年的瑞德，怎么可能仅仅被这两句话而挽救呢？他可能会走Brook的老路。

于是安迪为瑞德安排了一件事，或者说，为他打造了一个梦想。当瑞德从绝望和恐惧中走出来，走向那棵巨大的橡树，走向碧海蓝天的时候，我彻底被安迪折服了。他用智慧拯救了他自己，又用智慧拯救了他的朋友。说得好听点，他给了瑞德一个叫做“希望”的东西，通俗点说，他让瑞德有点事情做做，让他“赶着去生活”。要做到这点，光有美好的愿望和深厚的友情是不够的，还有智慧，对人性的洞察。

安迪的这一招，非常像程灵素，她也是以她的感情与智慧，救了胡斐的命，最关键是，给了他活下去的理由。不能怪胡斐不爱她，就好像不能怪安迪的妻子不爱她一样，他们的智慧和人格魅力，也许只有站在朋友的立场才能够欣赏。许多男读者爱程灵素，应该也只是把她引为一位异性知己吧。

5

Andy Dufresne，他的智慧战胜了漏洞百出的制度；他的理性战胜了野蛮狂暴的本能；他的意志战胜了冷酷无情的时间；他战胜了肖申克的石墙；他战胜了他自己；他战胜了一切。

他战胜了一切，却输给了，Forrest Gump。

Ⅳ 求三篇英文电影的观后感 用英语写（30词）

电影《阿甘正传》观后感：

Last night,I saw a great film,Forrest Gump.I am greatly impressed by this film,by the stories of Forrest Gump.Forrest Gump was born in a small village.He was born mentally retarded,and he was discriminated by others.But his mother is a strong female who encourages Gump to be strong and live the same as normal people.

《阿甘正传》是由罗伯特·泽米吉斯执导的电影，由汤姆·汉克斯、罗宾·怀特等人主演，于1994年7月6日在美国上映。

电影改编自美国作家温斯顿·格卢姆于1986年出版的同名小说，描绘了先天智障的小镇男孩福瑞斯特·甘自强不息，最终“傻人有傻福”地得到上天眷顾，在多个领域创造奇迹的励志故事。电影上映后，于1995年获得奥斯卡最佳影片奖、最佳男主角奖、最佳导演奖等6项大 。

2014年9月5日，在该片上映20周年之际，《阿甘正传》IMAX版本开始在全美上映。

Ⅳ 英文电影观后感80字

豆瓣上有的是，这是《肖申克的救赎》
原文贴地址下面了
Every
film
is
famous
for
a
reason.
I
thought
for
a
moment
and
decided
that
maybe
I
should
write
it
in
English
to
better
state
my
point.
The
Shawshank
Redemption
is
a
glamourous
film.
Every
character
in
it
is
commendable.
Those
prisoners,
innocent
or
not
,most
of
therm
spent
two
thirds
of
their
lives
in
that
closed
damed
Shawshank
Prison.
As
Red
said
they've
become"institutionalized".
They
find
life
meaningless
outside
the
prison.
Old
Brook
and
Red
experienced
the
same
outside
the
prison.
They
even
thought
likewise:
They
want
to
go
back
to
"where
they
belong
",
they
can't
enre
the
life
outside,
in
which
they
find
themselves
useless.
They
want
to
commit
a
crime
so
that
they
can
back
and
they
both
think
of
suicide.
Brook
did
commit
suicide
while,
Red
with
his
unrealised
promise
to
Andy,
choosed
to
live.
"Get
busy
living
or
get
busy
dying."
Being
insititutionalized
is
terrible
and
awful.
That
is
a
man
without
his
own
will,without
his
bright
life,
a
man
of
no
hope.
Andy
crawled
to
light
through
500
yards
of
shit-smelling
foulness
that
a
normal
man
can't
even
imagine.
Through
that
unbearable
500
yards,
he
earned
his
freedom.
He
embraced
the
whole
bright
big
outside
world
that
he
had
dreamed
of
going
back
to
for
20
years.
He
smiled
in
the
pouring
rain
and
lightening.
That
moment
I
saw
a
man
of
his
totally
free
will.
That
scene
reminds
me
of
wallace
in
film
Brave
Heart,
at
the
last
moment
of
his
glorious
life,
sceaming
out
"freedom".
Though
he
died
the
next
moment
,he
still
earned
his
freedom,
his
entire
eternal
freedom
cried
out
with
his
hope
for
his
man,his
country.
As
Andy
said,"Hope
is
a
good
thing
,maybe
the
best
of
things,
and
no
good
thing
ever
dies."
Hope
is
what
leads
them
to
a
dream
of
freedom
and
finally
,to
the
reality
of
freedom.
需要三篇吗？http://movie.douban.com/review/2456392/
《这个杀手不太冷》
http://movie.douban.com/review/4901150/
《十二怒汉》
咱英文水平有限
内容也没咋看
你好歹过过，删删改改的，最主要是
这几部片要看下，我选的都是经典名片

Ⅵ 英文观后感80字

电影哈利波特的情节观后感：

Harry Potter is a series of seven fantasy novels written by British author J. K. Rowling. The books chronicle the adventures of the eponymous adolescent wizard Harry Potter, together with Ron Weasley and Hermione Granger, his best friends.

The central story arc concerns Harry's struggle against the evil wizard Lord Voldemort, who killed Harry's parents in his quest to conquer the wizarding world, after which he seeks to subjugate the Muggle (non-magical) world to his rule.

翻译：

《哈利波特》是由英国作家J。K罗琳。这本书记录了同名的少年巫师哈利·波特和他的好朋友罗恩·韦斯莱和赫敏·格兰杰的冒险经历。

故事的中心是哈利与邪恶巫师伏地魔的斗争，伏地魔在征服巫师世界的过程中杀死了哈利的父母，之后他试图征服麻瓜（非魔法）世界。

英语翻译技巧：

1、省略翻译法

这与最开始提到的增译法相反，就是要求你把不符合汉语，或者英语的表达的方式、思维的习惯或者语言的习惯的部分删去，以免使所翻译出的句子沉杂累赘。

2、合并法

合并翻译法就是把多个短句子或者简单句合并到一起，形成一个复合句或者说复杂句，多出现在汉译英的题目里出现，比如最后会翻译成定语从句、状语从句、宾语从句等等。

Ⅶ 英语原版电影观后感

英文电影:阿甘正传观后感：

阿甘有自己的坚持，他不断地跑步，JUST RUNS. 他跑步不为任何理由。他说:"人要往前看，千万不要被过去拖累。我想我跑步就是这个意义”和过去告别，不停留在原处。也许这世界上太多人随拨逐流，很少人会坚持做一件事，阿甘坚持自己的坚持，于是他成了“神”。

影片中还有一位主要人物是上校丹。他在越南战争中失去了双腿。他说他的命运就是战死。然而阿甘却救他，让他活了下来。失去双腿后他开始憎恨生活，生活得很颓废，责怪阿甘当初救了他。然而当他调整心态，去和阿甘一起捕鱼生活，有了收获后，开始感觉到生活的美好。感谢阿甘当初就了他。

影片试图通过这个角色告诉观者生活总是美好的。乌云后有彩虹，绝境后有重生。关键是看我们给不给自己一个好心态，一个机会去改变不好的现状。影片试图向观者传达这样一个信息：或许做好我们该做的每一件事，生活就会给我们一个好的回馈。只要有一种坚持就会出现一个奇迹。

(7)英语电影观后感八百字扩展阅读：

观后感教学示例：

看了《虎门销烟》后，学生认为无法联系实际，我就这样启发学生：你看后印象最深的是哪个镜头?有的说林则徐带领官兵虎门销烟的镜头，大展中国人的志气；有的说，当时的清朝政府的腐败无能给我教育最深；

有的说我印象最深的是那些受鸦片毒害，痿糜不振的、瘦骨嶙峋的人们。然后我再要求学生用比较法，针对现今社会，看是否有类似于林则徐这样有民族气节或与此相反的人。

什么东西给现今人们带来精神和身体摧残?我们应该如何对待?这样，学生马上想到了电视上披露有的海关把关不严，让一些走私物品进入中国，有的想到了社会上的吸毒现象和不健康的游乐场所，同学们畅所欲语，仿佛一下子有话可写了；

一个同学在《观林则徐有感》一文中这样写到：“……在18世纪，鸦片使我们国败家亡，但可悲的是在二十世纪的今天，吸毒的现象又有抬头，有的因吸毒走向犯罪，家破人亡.我们青少年一定要认识它的危害，如发现吸毒、贩毒现象要立即向公安机关报告，同时希望我们的海关把住家门，不让毒品再次蔓延……”

Ⅷ 5篇100字左右的英文电影的观后感，要用英语啊

《阿甘正传》观后感：

To be honest, Ive never seen anyone like Forrest Gump in a movie before.Forrest Gump who is unfortunately to be born with a lower IQ and the muscle problem, usually, people always think this kind of person cant be successful in doing anything. But, instead, this unlucky man has achieved lots of incredible success, he is a football star, a war hero, and later a millionaire!

Forrest Gump not only shares his innocence and purity with others, ,he also manages to retain that innocence through some very difficult times. I love Forrest that he doesnt lose his purity through the movie, or maybe he just cant ,but either way, this shows us dont need to be evil or really intelligent to be recognised or successful.

It is just a movie, so maybe it doesnt work like that in reality.A simply means is that the acting and story of this film got a high level like the real . And in my definition thats what a good movie should be able to do.

译文

老实说，我以前从未在电影中见过像阿甘那样的人。阿甘不幸地天生智商较低，而且有肌肉问题，通常人们总是认为这种人做任何事情都不会成功。但是，相反，这个不幸的人取得了许多令人难以置信的成功，他是一个足球明星，一个战争英雄，后来成了百万富翁！

阿甘不仅与他人分享他的纯真和纯洁，他还设法在一些非常困难的时期保持这种纯真。我喜欢福勒斯特，因为他没有在电影中失去他的纯洁，或者也许他就是不能，但不管怎样，这表明我们不需要邪恶或真正的智慧才能被认可或成功。

这只是一部电影，所以在现实中可能不是这样的。一个简单的方法是这部电影的表演和故事达到了真实的高度。根据我的定义，这就是一部好电影应该能做到的。